Olha Vlasova

Just married, Vacation on the Happy Island series

2024

This series of works aims to reveal the theme of carefree relaxation, enjoyment and happiness in life. The animals live in an idealistic, beautiful world where there are no problems,...

You will receive this painting completely ready for hanging. Framing is not obligatory and depends only on your preference. This series of works aims to reveal the theme of carefre...

You will receive this painting stretched, with painted edges and completely ready for hanging. Framing is not obligatory and depends only on your preference. This series of works a...

The size with frame is 62x62x4 cm You will receive this painting stretched, with painted edges and completely ready for hanging. Framing is not obligatory and depends only on your ...

Oil on canvas Signed and dated in black ink, verso This artwork is offered by ClampArt, located in New York City. Daniel Handal writes: “With ‘Cats in Costume’ I wanted to work on ...

Xenia Ostrovskaya was born on August 7, 1989 in Leningrad, Soviet Union. She lives and works in Vienna. The artist explores ideas of heritage and belonging in her work, juxtaposing t...

A joyful depiction of a towering celebration cake decorated in edible wild flowers. This painting has a great deal of texture, vibrancy and character. Kerry Louise Bennett, artist and painter, has original artworks available with Wychwood Art in our gallery and online. Working from her home studio in Sheffield, Kerry Louise Bennett (b.1972) makes colourful paintings loaded with texture and pattern. Her previous lives working in set design, upholstery and photography, and her passion for music and literature, all feed into the semi-abstract interior and still life compositions she paints. In one sense the objects painted and the relationships between them can be seen as arbitrary, necessary only to serve a sense of spatial orchestration, and the abstract sensibility of a process-led artist, however, an element of romance and storytelling always seems to emerge in her charming characterful paintings. Colour and composition, strong mark-making and the pure materiality of paint drive my creative practice, but of course everything I make reveals something of me - the introvert, the observer, the dreamer. I work over multiple layers before finding the story the painting wants to tell. In some ways I feel like the conductor of an unruly orchestra - there is a musicality to my work, and my visual vocabulary draws on the everyday to capture a kind of unconscious narrative that transforms chaos into calm, worry into joy, the mundane to the magical. Kerry says of herself: I am obsessed with colour first and foremost – it’s impact is so visceral, but mark making is also important – usually expressed through pattern and the shapes of things often scratched into the surface of the paint, with textures then built up over many layers. My visual vocabulary draws on the ordinary stuff of life - chairs, plants...