1810s Animal Paintings
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Period: 1810s
Portrait of Russian cuirassiers colonel
By Hippolyte Lecomte
Located in BELEYMAS, FR
Hippolyte LECOMTE
(Puiseaux, 1781 – Paris, 1857)
Colonel of Russian cuirassiers
Oil on canvas
H. 33 cm; W. 24 cm
Signed and dated at the bottom towards the center 1817
Exhibition: S...
Category
French School 1810s Animal Paintings
Materials
Oil, Canvas
Village Scene Figures & Animals - British Old Master exh pastoral oil painting
By James Ward
Located in London, GB
This stunning British Old Master exhibited pastoral oil on panel is by noted artist James Ward. Painted circa 1815 with superb provenance, it was e...
Category
Old Masters 1810s Animal Paintings
Materials
Oil
James WardVillage Scene Figures & Animals - British Old Master exh pastoral oil painting, Circa 1815
$132,135 Sale Price
20% Off
Heron by Water's Edge - Anglo-Indian 19th century bird art oil painting
Located in London, GB
This beautiful Anglo Indian 19th century bird oil painting on panel has something rather special about it. Painted circa 1810, a fantastic large grey and white heron is stood in the ...
Category
Old Masters 1810s Animal Paintings
Materials
Oil
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Shepherd with Sheep, Cows and a Goat in a Landscape by Jan Frans Soolmaker
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Fine 18th Century Dutch Old Master Oil Painting Cattle & Sheep Ancient Ruins
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The Bird Concert – After Jacob Savery
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Antique Flemish 18th Century Oil Painting Swans Frightened by Dog in Landscape
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Fine 17th Century Dutch Old Master Oil Military Encampment Figures on Horseback
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Huge 18th Century French Oil Painting Dogs Fighting Medieval Castle Wooden Frame
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Shepherd with Sheep, Cows and a Goat in a Landscape by Jan Frans Soolmaker
Located in Stockholm, SE
This painting depicts a pastoral scene that is attributed to the artist Jan Frans Soolmaker, an artist known for his Italianate landscapes and scenes that often feature equestrian and Arcadian elements. The painting is not signed but is attributed to Soolmaker, relating it to a known signed work by the artist that was sold at Sotheby’s London in 1999.
The scene is suffused with the warm glow of a setting or rising sun, casting a soft light that is characteristic of Soolmaker’s landscapes. It shows a shepherd guiding a group of cattle across a shallow stream, with the animals taking center stage in the composition. The animals are rendered with careful attention to their forms and the play of light on their bodies, which is a hallmark of Soolmaker's work. The landscape is composed of a rocky terrain with trees and shrubbery, creating a sense of depth and natural beauty that invites the viewer to explore the scene further.
The background suggests a vast, open landscape with distant mountains, which adds to the Italianate feel of the painting. The sky is dramatic, with clouds catching the light of the sun, contributing to the overall serene yet dynamic atmosphere of the work.
The provenance of the painting is notable, having been in the possession of significant historical figures such as Swedish Prince Fredrik Adolf, and later The collection of Pär Ulmgren, The collection of Gösta Stenman, and Engineer and politician Gustaf Henry Hansson.
Potential buyers have the option of choosing between a newly made gold frame or an older brown frame, which allows for personalization in how the work is presented.
Soolmaker’s work is often compared to that of Dutch painter Nicolaes Berchem, whose style he emulated. Soolmaker's landscapes reflect a similar sensitivity to light and composition, making his works sought after for their beauty and historical significance. Despite the smaller body of work left by Soolmaker, due to his short career, his paintings are valued for their craftsmanship and the legacy of the artist’s brief but impactful contribution to the Dutch Italianate landscape genre.
Information:
Jan Frans Soolmaker (Flanders 1635‑1685)
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Antique English 19th century, Fox huntsman and hounds in a landscape.
Located in Woodbury, CT
Barenger was born in Kentish Town, London, the son of James Barenger Snr., a metal chaser and artist who exhibited paintings of insects at the Society of Artists and Royal Academy, and Sarah Woollett, the daughter of the engraver, William Woollett. His brother Samuel Barenger (christened Major Samuel Barenger) also became an engraver. Beginning as a landscape artist, Barenger went on to specialise in painting horses, dogs and other animals, and hunting scenes. In 1807, at the age of 28, he exhibited at the Royal Academy for the first time. At this stage, he was living with his father in Kentish Town, but later moved to Camden Town. He went on to exhibit 48 paintings at the Royal Academy and eight at the British Institution. He acquired numerous wealthy and aristocratic patrons, and his pictures were also engraved for sporting publications such as W. H. Scott's British Field Sports...
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I Moore, Provincial Early 19th-Century English School, Bay Horse & Groom
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This early 19th-century oil painting by British artist I Moore depicts a horse with its dapper groom.
With his left hand clutching the reins, a smartly-attired young groom stands proudly alongside a bay mare. He’s dressed in a style befitting the 1810s with boots, pantaloons, coat and cravat. His top hat carries an intriguing black rosette, perhaps relating to an award.
It’s likely that the painting was commissioned by the owner of a fine British country house who instructed a local artist. They’ve worked in a manner associated with well-known 18th-century equine painters such as George Stubbs, John Wootton and John Nost Sartorius. Only one other work by I Moore can be found, which dates to circa 1780...
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