Robert Richard Scanlan

Robert Richard Scanlan, Portrait Of A Gentleman On A Bay Hunter

c. 1840

This charming late 19th-century oil painting by English artist Alfred Augustus Glendening (1840-1921) depicts a picturesque woodland view with sheep. Glendening was a distinguished painter of landscapes. Amid the gentle golden glow of British summertime, sheep graze on a country track flanked by several mature trees. It’s likely to be a view in Sussex or Kent and possibly painted at Knole Park near Sevenoaks. Born in Hampton on Thames, London, Glendening was raised in an area popular with Victorian artists. The river, with its zig-zagging steamboats and silvery waters, provided ample inspiration for a young impressionable mind. This fascinating environment delivered the building blocks for his artistic development, and one can imagine him sketching on the riverbank along with other painters. It would take a little time before he turned to art as a career but, once he pursued his calling, success was inevitable. Travel during the mid-19th century was becoming a little easier thanks to the emerging rail network, and Glendening filled his sketchbooks on various cross-country trips. In 1864, he debuted at The Royal Society of British Artists with a view from Cumbria’s picturesque Lake District. The following year, exhibiting ‘A Cornfield, Kent’ at the Royal Academy. Many of his works were centred around shimmering water with the Isle of Wight another frequent destination. Soon, the rising middle classes took note and he became a firm favourite - views in North Wales, the Highlands, Surrey, and Devon captured with a deft touch. His approach was predominantly naturalistic and lacked the grandiosity of many early Victorian painters. His tranquil vignettes are skilfully observed with dapples of light dancing across reflected foliage. The occasional bird picked out with weight and movement. Glendening’s exquisite draughtsmanship was matched by a keen understanding of tone and value, resulting in balanced compositions with blissful moods. By 1903, he’d exhibited 47 works at the Royal Academy - quite an achievement for a late starter. Today, various museums hold examples including at Southampton and Newport. Signed/dated lower left and held within a later frame. Provenance: Private collection, UK. Artist’s auction maximum: £32,000 for ‘Bramber Castle’, Oil on canvas, Christie’s, 19th Century Pictures...

This fine mid-19th-century oil painting by British artist Thomas Sidney Cooper RA (1803-1902) depicts two cows and a sheep in a landscape. Cooper was a distinguished painter of the n...

This late 19th-century oil painting by British artist Alfred Walter Williams (1824-1905) depicts an expansive view across Barmouth Sands in North Wales. The relaxed golden sands str...

This endlessly charming mid-19th-century English oil painting depicts a rural scene with a family, cattle, pond, and cottage. A mother and child pause to observe a drover, perhaps f...

!9th century English portrait of a King Charles Cavalier Spaniel Wonderful portrait study of this very popular breed of dog. Dating from the middle of the 19th century this piece...

This exquisite oil on canvas by Edwin Frederick Holt, depicting a black and white spaniel with a game bird, is a stunning example of Victorian sporting art, painted circa 1863. Holt's exceptional attention to detail brings the subject to life, from the textured fur of the spaniel to the fine feathers of the game bird and the naturalistic landscape in the background. The artist's ability to capture the loyal and determined expression of the dog highlights his skill in portraying both the beauty and character of animals. For art collectors, this painting represents a piece of history, reflecting the 19th-century English tradition of celebrating hunting and companionship with animals through art. Edwin Frederick Holt's works are sought after for their authenticity and fine craftsmanship, making this a valuable addition to any collection of sporting or animal-themed artwork. For interior designers, this piece offers a perfect blend of elegance and charm, suitable for a variety of settings. The warm tones of the landscape and the golden frame add richness to the painting, making it an ideal choice for classic or traditional interiors. It can become a focal point in a study, library, or living room, enhancing the atmosphere with its timeless sophistication. For collectors of canine art, this painting is more than an aesthetic treasure—it is a heartfelt tribute to the enduring bond between humans and their canine companions. Its historical significance, combined with the artist's skill and the beauty of the composition, ensures it will remain a cherished and admired piece for generations to come. in 1830, Edwin Frederick Holt grew up in Hampstead and went on to spend the majority of his adult life in Dunstable. Edwin began his artistic career by studying at the Royal Academy of Art where he went on to win a Silver medal for his work at the age of 24. From this point on, his work continued to get recognized and many of his pieces were entered into exhibitions. In total, Edwin Frederick Holt exhibited 7 paintings at the RoyalAcademy, 12 at the British Institution and 40 at the Royal Society of Arts. Alongside his exhibitions, Edwin Frederick Holt also illustrated in "Farm Animal Portraits...

This charming portrait of a Collie dog by Frederick French, painted circa 1896, captures the loyal and calm nature of one of the most beloved breeds. French's delicate attention to d...

Henry Calvert was an animal painter, particularly of the sporting variety and best known for his depictions of horses, hunting scenes and equestrian hunting portraits...