Axe Animal Paintings

'Ebren Ha Dor, Tremenus'. Contemporary landscape painting, Cornwall Original Artwork. Framed ready to hang _________________ The dancing light and rapidly changing skies, hung high a...

A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extra...

Modern abstract painting of birds by the iconic Houston based artist David Adickes. The work features a grid of four different Cubist-inspired abstractions of birds set against a tea...

Michaela Jean is an accomplished painter, devoted gardener, and mother from Southern California (USA). Her lifelong passion for art and nature began in childhood, inspired by her gra...

Chinese School, 20th century; After Ren Renfa (Qinglongzhen, 1255-1328). Signed center right in Chinese with artist chop mark for 'Yueshan Daoren' 月山道人, brush name for Ren Renfa. (Qinglongzhen [now Qingpu, Songjiang, Shanghai Municipality], b.1255; d. 1328). Chinese painter. Under the Yuan dynasty (1279–1368) he became an official, rising to the level of Vice-President of the River Conservation Bureau. He was famous for his paintings of horses, which were much admired by both his Mongol and Chinese patrons. In horse painting he followed in the tradition of the Song-period (960–1279) artist Li Gonglin, which was characterized by use of the ‘iron-wire’ line and a minimum of shading. Ultimately, however, Ren’s style can be traced to the Tang (ad 618–907) painters Yan Liben and Han Gan. Ren’s earliest surviving painting is dated 1280, indicating that he was a mature artist by his mid-twenties. Although he worked as an official under the alien Mongol emperors, he was capable of paintings that incorporated clear political messages. The most famous is Fat and Lean Horses (Beijing, Pal. Mus.), in which, according to his inscription, the fat horse...

Hummingbird IX 40x26 unframed Ink, Watercolor, Paper Keith Carrington’s experiences have led him to express his talents through the fluid & exacting mediums of watercolor & ink. He has honed his skills, clarified his vision, experimented, explored and expanded his expression steadily over the years, the results of which thus far culminate here. Clearly, Keith’s extensive travels have roots in the luminous quality of his work, eminently holding the utmost possibilities of beauty and significance. Keith’s most recent paintings explore a spiritual path, he integrates them with transformative healing energies and infuses his enthusiasm into these dynamic pieces that you see here today. GROUP EXHIBITIONS 2015 Renata Fine Arts, Hudson, New York 2013 @60″ New York, NY 2012 @60″ New York, NY curated sale with Harry Heisman 2011 KL/Karen Lynne Gallery, Boca Raton, Florida & Beverly Hills, California 2003 Dupont Gallery, Milwaukee Wisconsin 1994 Jack Shainman Gallery, New York, NY 1994 The Roger Smith Gallery, New York, NY 1993 Ambassador Galleries, New York, NY 1992 Elaine Benson Gallery, Bridgehampton, New York 1983 Manor House Gallery, Rhinebeck, New York SOLO EXHIBITIONS 2014 & 2015, 2010: C. Bell, Palm Beach, Florida 1995: Luxe Energy Aesthetics, West Palm Beach, Florida 1991: Time Warner Publishing, New York, NY 1990: Imperial Hotel Gallery, Chestertown, Maryland 1988 & 1987: National Symphony Show House, Washington, DC 1986: International Jumping Derby, Jockey Club, Newport, Rhode Island Elijah Locke House, Rye Beach, New Hampshire 1984: Washington Design Center, Washington, D.C. SELECTED CORPORATE COLLECTIONS Bovis Inc., New York, NY The Kiplinger Collection, Washington, D.C. The International Monetary Fund, Washington, D.C. Hopkins & Sutter, Washington, D.C. McKenna, Conner, & Cuneo, Washington, D.C. Oliver T. Carr Company, Alexandria, Virginia SELECTED PRIVATE COLLECTIONS RuPaul, Beverly Hills, California Kelly Klein, New York, NY Governor & Mrs. Bruce Sundlun, Providence, Rhode Island Mr. & Mrs. William Aylward...

A set of four watercolours of butterflies on silk, applied to handmade paper, with hand cut edges, by French artist La Roche Laffitte. Two are signed by the artist to the bottom righ...

'Fall Fog, Approaching'. Contemporary landscape painting, Cornwall Original Artwork, Unframed _________________ Heavy skies moving in over the autumnal landscape of West Cornwall: a ...

Painted at the hight of summer in a stuffy room in london, missing the flat fields and sea breeze of summers growing up in norfolk. there's a car i really miss too. nostalgic but not in any way a sad painting. more a celebration of that life and time. ADDITIONAL INFORMATION: Acrylic paint on Canvas 81 H x 100 W x 4 D cm (31.89 x 39.37 x 1.57 in) Sold unframed Image size: Height: 81cm (31.89 in) Width: 101cm (39.76 in) Complete size of unframed painting Height: 81cm (31.89 in) Width: 100cm (39.37 in) Depth: 4cm (1.57 in) ARTIST BIOGRAPHY: Dan Bloodworth, artist and painter, has artworks available at Wychwood Art online. Dan was born in Norfolk but now lives and works in London. His paintings are inspired by everyday life, British folklore and old Westerns

A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopi, the artist then embellishes them with colored pencil to convey an extraordinary dimensionality. By printing them on an antique nautical chart...

This new series of painting is an exciting transition for Kinney as he is best known for assemblage and sculpture. “Anim”, the Latin root word of animal, means life, soul or breath. This exhibition features select large-format monochromatic oil paintings on stretched canvas and wood panels. On view as well are works on paper with Japanese Sumi Ink, which inspired the oil paintings. Kinney has been looking at pre-historic cave paintings as well as animals depicted therein, such as the Chauvet caves in Nice, Southern France. Emerging from the inextricable interplay of light and dark, Kinney’s black and white ink paintings capture the ever-shifting subjectivity shaped by shadow. Cast in Japanese Sumi ink, each unique painting explores the trajectories of human and animal, natural and architectural form- what is revealed or hidden? A variety of hand-torn, heavy weight papers add textural dimension to each mark and brush stroke, as well as through the immediacy of brushstrokes to depict the action within the artwork In his latest collection of works, Kinney explores animal form and meaning as seen in both contemporary and ancient times. In “Savanna (Zebras) ”, a stampede of zebras is depicted through oil paint on wood panel. Animal populations in regions like the horn of Africa today face the loss of their natural habitats due to extreme draught. He explores the deep imprint they leave behind and the interconnectedness of humans and animals in the world. With the balance of nature at stake, Kinney’s paintings underscore the importance of the relationship between the natural environment and civilization. Matt Kinney...

Carl Linstrum's "Other Side," "Fade," and "Emerge" series of paintings speak to disappearing ecosystems in a time of increasing climate crises, while celebrating the sheer beauty of ...