Interior Animal Paintings

Acrylic on canvas, shipped rolled in a tube Angel Rivas is an artist with a strong presence in galleries around the world, her works are acquired by collectors from all corners, suc...

Hazel Morgan, British 20th century Boxer dog by fire signed oil painting on canvas, framed framed: 20 x 24 inches canvas: 16 x 24 inches provenance: priva...

Igor Maikov (1966) Education: 1981 - 1984 The Art Academy of Latvia 1973 - 1983 Salaspils Primary and Secondary School Exhibitions: 1994 - Group Exhibition «Rol-Art», Latvia ...

At the heart of "Last Shot" is a young woman, the central character of this evocative piece. She is fully absorbed in the game of snooker, her posture and facial expression revealing intense concentration and determination. The artist has deliberately obscured all the colored snooker balls, leaving only the white ball visible. This compositional choice draws the viewer's attention to the player's anticipation of her "last shot." The backdrop of "Last Shot" is a dimly lit snooker hall, creating an atmosphere of suspense and intrigue. The faint glow of overhead lights accentuates the drama of the moment, casting shadows that add depth and complexity to the scene. The absence of details surrounding the white ball and the player's narrowed focus on it contributes to the overall feeling of precision and concentration. "Last Shot" is a visual metaphor for life's critical moments—those decisive occasions when everything hinges on a single move. By obscuring the colored balls and leaving only the white ball visible, the artwork symbolizes the importance of making the right choices, even when faced with uncertainty and obscurity. The young woman's unwavering focus on her last shot encourages viewers to consider their own pivotal moments in life. It prompts reflection on the significance of each action and the consequences that follow, reminding us that sometimes, a single move can determine the course of our journey. "Last Shot" by Akinboye Akinola Peter...

Natural Rustic Horse Textured Oil Painting on Canvas, Equestrian Art 58 W X 58" H, Unstretched (Rolled) Canvas. Stretching is free upon Request. Artist...

Bright interior of ancient house with fireplace and white cat Luisa Albert was born in Turin, Italy where she currently lives and works. In 1989 she enrolled at the Istituto Europeo...

Tina Figarelli is a classically trained artist whose favorite subject matter in her artwork is ideas with a strong narrative. Tina leaves the viewer hints about the story in the piec...

Artist Commentary: This is the second in a series of paintings about a cat that I inherited from my brother's ex-girlfriend. D.C. Rescue. He was tough little guy, and was always gett...

This is an original mixed media work on canvas by Southern California artist, Cheryl Tall. Its dimensions are 40" x 30" x 1.5". A certificate of authenticity will follow delivery. ...

This piece titled "Nine Lives VIII" is an original artwork by Katherine Fraser and is made of oil on canvas. This piece measures approximately 23.5" x 27.5"...

In this contemporary interior painting in acrylic on canvas, a wicker shelf holds an assortment of bottles and a bowl of lemons. The light blue wallpaper in the background is pattern...

Robert Azensky Fine Art is proud to offer this vintage figurative abstract of a Woman, Dog & Spring Flowers with Petroglyphs by Martha’s Vineyard artist Cindy Kane Absolutely stunning vintage large scale abstract expressionist painting titled "Bending Forward," by San Francisco and now Martha's Vineyard artist Cindy Kane (American, b. 1957). This unique monumental piece, created in 1987, has a netherworld primal quality depicting a petroglyph-like blonde woman and her animal spirit dog bending toward a flower-strewn earth. Additional petroglyph vignettes add mystery to narrative. Signed and dated "Kane '87" upper right. Unframed. Image size: 66.5"H x 84"W. Her early works were influenced by her memories of these hieroglyphs, and embellished with symbols from her dreams. “I hope [that viewers] get what I get from my work, which is enjoyment, visual satisfaction, and a story — whatever their own story is,” she said. “I can’t give them one, but I can tell my own, and the story they take with them is something personal.” Her early work was influenced by the experience of living and working at the bottom of the Grand Canyon National Park, where she had the opportunity to document Anasazi Indian pictographs in pen and ink drawings. These images would inform her work for years to come. While working in Grand Canyon National Park, she became familiar with the Anasazi Indian ruins...

This piece explores movement and was very much inspired by the painting 'Dynamism of a dog on a leash' by Balla 1912. The canvas is stained pine wood. ARTIST BIOGRAPHY: Adam Bartlet...

The owners of this work of art were likely the only two people in the world lucky enough to have access to its beauty. The experience of art itself can be an intimate one, and this bed canopy, hand-painted 100 years ago by an artist in Canton, was more intimate than most. It brings to life symbols of prosperity and good fortune for a married couple...

FERJO Intérieur surréaliste Signed Oil on Canvas 51 x 61 cm Ferjo, Brazilian (1946 - ) Ferjo Technical achievements in art not only in painting...

"Holding Carm" by RU8ICON1 is an oil painting on canvas, from 2021. It is a figurative panting that depicts a girl holding a cat in the kitchen in RU8ICON1's signature time bending ...

Natural Rustic Horse Oil Painting on Canvas, Equestrian Art 72 W X 48" H, Rolled Artist Irena Orlov. Signed Certificate for authenticity.

In this vibrant fusion of pop art and expressionism, I've embraced the kinetic energy of a billiard player in mid-stroke. The textures and contrasts achieved through my spirited brus...

White Rustic Farmhouse Horse Oil 50H x 72W" Unstretched (Rolled) Canvas. Stretching is free upon Request. Artist Irena Orlov. Signed Certificate for authenticity. Irena Orlov is...

White Western Horse Oil 50H x 72W" Unstretched (Rolled) Canvas. Stretching is free upon Request. Artist Irena Orlov. Signed Certificate for authenti...

Trompe L’Oeil with a Two Partridges Clesse Louis Brussels 1889 – 1961 Belgian Painter Signature: Signed bottom right Medium: Oil on panel Dimensions: Image size 50,50 x 40 cm, frame size 64 x 53,50 cm Biography: Clesse Louis Liévin Théophile was born on June 15, 1889 in Ixelles (Brussels). He was a Belgian Post-Impressionist and Realist painter of landscapes, seascapes, still lifes and portraits. He studied at the Academy of Fine Arts in Brussels. He received advice and encouragement from master teachers and artists Alfred Bastien...

This piece titled "Nine Lives II" is an original artwork by Katherine Fraser and is made of oil on canvas. This piece measures approximately 23.5" x 27.5" a...

Queen Horse - Oil Painting on Canvas 72 H X 48" W Rolled Artist Irena Orlov. Signed Certificate for authenticity.

Horned Gophers, by Joseph Rossano, 2020 Additional information: Medium: Panel, whitewash, tar, DNA Dimensions: 92 × 62 × 3 in (233.7 × 157.5 × 7.6 cm) Rossano’s work uses the spect...

White Rustic Farmhouse Horse Oil 50H x 72W" Unstretched (Rolled) Canvas. Stretching is free upon Request. Artist Irena Orlov. Signed Certificate for authenticity. Irena Orlov is...

Beautiful elephant water color painting on unique book canvass. The two artists and industrial designers made the canvass with extinct and unused encyclopedia books in order to give ...

The watercolor artwork titled "Afternoon Tea" by Ashley Snyder transports viewers into a charming Victorian parlor, where the ambiance exudes an aura of ...

Previously an entertainment reporter reporting on Chinese, Korean, and Hollywood entertainment news, and H. Yuan is a Chinese artist. His art has been featured in numerous places suc...

Gian Marco Capraro presents his latest urban life paintings. These present a vibrant scene with a combination of architectural perspective, city life and a dynamic out of focus style...

The two artists and industrial designers, Ampi Arozarena and Elena De La Fuente describe form and color as their core of exploration. They admire the dual identity the two elements c...

Born in Turkmenistan, in the sunny city of Ashkhabad. From his youth was into artistic activities, currently the earlier works are kept in the family archives. In 2002 moved to Mosco...

Killer Whale, by Joseph Rossano, 2020 Additional information: Medium: Panel, whitewash, tar, DNA Dimensions: 59 × 20 × 2 in (149.9 × 50.8 × 5.1 cm) Rossano’s work uses the spectacl...

Doe Deer Engraving Painting, by Joseph Rossano, 2018 Additional information: Medium: Presidential Ash, Whitewash, and Douglas Fir Dimensions: 50 × 88 × 5 3/4 in 127 × 223.5 × 14.6 ...

This beautiful water color painting is done on a recycled book canvass. It’s color palette is like that of a garden filled with succulent plants. The mixture of blues, greens and pur...

Major George Washington Littlefield died in 1920. He commissioned E. Martin Hennings around 1910 to do six large paintings of scenes from his 235,000-acre ( part of the XIT ) ranch to hang in his bank in Austin. I am not sure, but the bank possibly went under sometime in the 197s-1980s. All of the art and antiques were stored, and they had a sale. We have 3 of the six murals that were commissioned by Littlefield. I have about 40 pages of info on Littlefield and the murals. Too much to enter now but I will be scanning that info later this week. The Littlefield mansion is still in Downtown Austin. At one time he was the richest man in the state. He was UT's biggest donor for several years prior to his death. The paintings are 34 x 130 35 x 144 35 x 119 Two are hanging in my friend's ranch house. The other is of a large herd of Hereford Cattle. It is actually pictured on the cover of the Biography of George Washing Littlefield. Littlefield, George Washington (1842–1920). George Washington Littlefield, cattleman, banker, and member of the Board of Regents of the University of Texas, son of Fleming and Mildred Terrell (Satterwhite) White Littlefield, was born in Panola County, Mississippi, on June 21, 1842. The family moved to Texas in 1850 after a confrontation between Fleming Littlefield and his wife's family. In marrying Fleming, her overseer, after the death of her first husband, Mildred in her family's eyes had married beneath her station, an action to which her family objected. George grew to young manhood on the family plantation near Belmont, Gonzales County, helping his mother to manage the place after Fleming's death in 1853. George received a basic education in Gonzales College and Baylor University, 1853–55 and 1857. With the outbreak of the Civil War in 1861 George enlisted in Company I, Eighth Texas Cavalry (Terry's Texas Rangers), which fought in the Army of Tennessee. Before his military career was ended at Mossy Creek, Tennessee, on December 26, 1863, by an exploding cannon shell, George rose to the rank of company commander, the youngest in his regiment, and fought at Shiloh, Perryville, and Chickamauga. At Mossy Creek he was promoted to major, a title by which he was addressed after the mid 1880s. Back in Texas after being discharged in 1864, he took control of a plantation belonging to himself and his brother, and "went to work to make the best, as he thought, of a miserable life, having to carry his crutches everywhere." During the war, on January 14, 1863, George married Alice Payne Tillar, with whom he had two children, both of whom died in infancy. In his business ventures thereafter, George Littlefield, who had a highly developed sense of family, utilized nephews and the husbands of nieces as managers. George's first year's farming after the war ended in disaster caused by three years of worm infestation and flood. Even the road-side store he opened, which prospered because George accepted barter, in particular cattle, could not make up for the losses. In 1871 he gathered a herd of cattle, half of which were his and the rest belonging to his brother, bought more, and drove the herd to Abilene, Kansas, where he sold the animals for enough to discharge all of his debts and leave him with $3,600 "to begin business." Over the next several years entrepreneur Littlefield opened a dry goods store in partnership with J. C. Dilworth in Gonzales, bought and trailed cattle, bought ranches in Caldwell and Hays counties, and developed his plantations. In the trailing business, Littlefield commonly bought his cattle, rather than, as most trailing contractors did, trailing them for a fee. He took the greater risk but reaped the greater reward in their sale. In 1877 Littlefield bought water rights along the Canadian River near Tascosa and established the XIT Ranch which he sold in 1881 for $248,000. Littlefield rejoiced that he had obtained "far more money than he had ever expected to have" and thought of retiring at thirty-nine years of age. But he did not retire, as "he learned. . .that the more money a man makes, the more he has to make, that a man's world opens up a little bit wider with each deal and demands become heavier." In 1882 Littlefield followed the advice of his principal ranch manager, half-nephew J. Phelps White, and purchased water interests sufficient to control some four million acres of land in New Mexico east of the Pecos River between Fort Sumner and Roswell, on which he established the Bosque Grande Ranch. In 1883 he bought the site of the first windmill on the New Mexico plains at the Four Lakes north of Tatum and developed the Four Lakes Ranch with windmills and barbed wire to control access to water and permit upgrading of stock. His cattle after 1882 carried his LFD brand on their right side. In 1887 Littlefield began acquiring land in Mason County, which soon spread over some 120,000 acres in adjacent Kimble and Menard counties, a ranch he put under management of half-nephew John Will White. In the 1890s Littlefield assembled acreage that came to be known as the LFD Farm in Roswell, New Mexico, on which he established an apple grove, grew forage for cattle, recruited his horses prior to the spring round-up, and maintained the pure-bred bulls that he used to upgrade his herds. Littlefield climaxed his ranching operation in 1901 with the purchase for two dollars per acre of 235,858 acres of the Yellow House (southern) Division of the XIT Ranch in Lamb and Hockley counties. To reach the prevailing wind above the escarpment at the ranch headquarters, Littlefield put up a windmill 130 feet tall to the top of the fan, claimed at the time to be the world's tallest windmill. In 1912 he established the Littlefield Lands Company under Arthur Pope...