Outer Space Animal Paintings

3981 Children's fantasy figurative oil painting set in a hand painted oak frame Image size 15.5x19.25"

Somber depiction of Native Americans in winter by John Pace (American, 1930-2006). Acrylic on canvas. Signed "John Pace" in the lower right corner. Presented in a wood slat frame with the edges painted black. Canvas size: 30"H x 40"W. Framed, 30.5"H x 40.5"W. 2"D. A study of a work by Howard Terpning. John Pace (American, 1930-2006) was an artist from California, known for paintings of Western scenes and Native Americans. Christal Pace had this to say about her Grandfather: "My Grandfather John Pace was a distinguished, passionate man with a variety of skills. My dad and Uncle Nick are both great artists, but Grandfather ran the show. My Grandfather was incredibley charismatic and smart. The Grand-father, as we call him, dabled in many things throughout his life. He served in the war, drove racecars, had a knack for gambling, poker and black jack, and painted occasionally. His first wife was Native American, my dad's mom. She passed when my dad was only 14. When my dad met my mom he was excited to learn she too was California Indian...

A satirical, surreal depiction of a pig at a lunch counter by an unknown artist (20th Century). This scene, full of symbols and satire, portrays the anth...

Ljubomir Milinkov (1938) Oil painting on board, Whimsical pastoral farm landscape Hand signed upper right, Dimensions: painting 12-1/2 x 15-1/2 inches. framed 18.5 x 21.5 inches Ljubomir Milinkov depicts a fantasy like setting using bold colors, and carefully planned out brushstrokes. The figures and inanimate objects that fill the composition are out of proportion, bi-dimensional, and primitive, cartoonist in terms of style. In fact this painting is iconic of Milinkov's Naif style. His work was sold by Wally Findlay Galleries in New York and Palm Beach and he has designed silk scarves for Hermes. Born in Sovac, Serbia, Arrived in France in 1962. Milinkov enters the world of art. He begins to distill his own style. Good life and beautiful models on the Place du Tertre in Montmartre fill and inspire him. In 1967 he went on an adventure to the USA. For 6 months in 1968 he crossed America from New York to San Francisco aboard his own Cadillac hearse, bought for this trip. It's the full hippie period, he shaves his head in contrast to all the bearded people around him. Back in New York in 1969, he exhibited at the Woodstock Music & Art Fair with 60 artists, five hundred thousand visitors. Sponsored by the organizers to register for 2 years at the New York School of Fine Arts, he declines this generous offer to preserve his freedom and explore his own fauvist mode of expression. Proud to be a graduate of the Fine Arts Schools of “Nulle part” and “Every where”. In 1972 he opened his first solo exhibition at the Masseur Museum of Art, Monroe, Louisiana. In 1973 he joined the Wally Findlay International Gallery, with which he worked exclusively for 16 years, exhibiting in New York, Chicago, Palm Beach, Beverly Hills, Paris. He was included in the show "One of a Kind" along with Artists: Camille Bombois, Orville Bulman, Henri Maik, Gustavo Novoa and Annette Ollivary. His tapestry “Noah's Ark” was purchased by the royal family of Saudi Arabia. In 1974 he returned to France and settled between Cannes and Paris. His collaboration with French design house legend Hermes began in 1982: creation of the first Carré “Jardin Enchanté”, followed in 1998 by Gavroches scarves “La Cavale Joyeuse” and “Les Ailes pleines de Joie” and in 2013 the Carré “Bateau Flowery”. It is the “Enchanted Garden” which will have had the honor in 1983 of being the emblem of Hermès' participation in the 150th anniversary of Central Park in New York, where he will be the guest of honor. Also in 1982, creation of his second Aubusson tapestry "Arche de Noé n ° 2". In 2000 his famous “Twin towers” paintings...

Oil measures 30x30 cm. Frame measures 52x52 cm. He was born in 1951. Under the direction of the teacher Pedro Bermejo, he began his artistic career, quickly standing out and observing in his works an unusual mastery of drawing. A highly mature painter who has known how to stop time in all his works. His themes are preferably costumbrist, although in his work it is usual to see 18th century themes, with horse carriages, hats, umbrellas and still lifes. Observing his work reminds us, due to the theme, of Maestro Palmero...

Charming impressionistic painting with allegorical theme of pale horse coming to shore by Cash Arthur Bond (American, 1876 - 1952), circa 1900. Signed "C.A. Bond" lower left corner. ...

When viewing a painting by Matthew Grabelsky you can immediately see the great technical skill required, the sense of humor and the concept of the pa...

A cabinet-size, grisaille oil on panel landscape showing a young Bretonne cowherd attempting to direct a reluctant Guernsey cow, which appears determined on a different direction. U...

Fine figurative oil painting of a barefoot peasant girl with rustic clothing and cloth holding back her hair. She is standing on a rocky path with her faithful dog. The figure of th...

Signed lower right 'Spazzali' for Luciano Spazzali (Italian, 1911-1997) and dated 1958. A complex and lyrical equestrian work by this notable Italian Modernist and exponent of Magi...

Artist: José María Tuser Vázquez (1919-1986) Title: Bullfighting Scene Technique: Oil on board Dimensions: 25.6 x 21.3 inches Period: 20th century Art Movement: Figurative Expression...

Title: Cape Maneuver Artist: José María Tuser Vázquez (Barcelona, 1919 – 1986) Technique: Oil on canvas mounted on board Dimensions: 19.7 x 23.6 in (50 x 60 cm) Date: Circa 1980s Signature: Signed "Tuser" in the lower left corner Condition: Excellent; thick, vibrant brushwork and vivid colors well preserved. 📝 Description This painting captures a dramatic moment in the bullfight — the classic verónica — as the matador gracefully halts the bull’s charge with a sweeping motion of the cape. The vivid contrast of magentas, blues, and golds intensifies the theatrical tension between man and beast. The composition is dynamic yet controlled, emphasizing the poise of the torero against the raw force of the bull. The expressive brushstrokes and thick impasto enhance the sense of movement, while the abstracted background ensures focus remains on the central figures. The piece is a striking blend of figuration and emotional energy, characteristic of Tuser’s taurine works. 👤 About the Artist: José María Tuser Vázquez José María Tuser Vázquez was a Spanish painter born in Barcelona in 1919. He studied at the Barcelona School of Arts and Crafts and began exhibiting in the 1940s. By 1947, he had fully devoted his career to bullfighting scenes, developing a distinctive figurative expressionist style with impressionist influences. He collaborated with the magazine El Ruedo, creating numerous illustrations and covers, and designed collectible postcards for Editorial Artigas. His work became well-known in Spanish artistic circles and is now part of both private and institutional collections, including the Club Taurino of London. His paintings have been auctioned internationally, reaching up to $3,000 depending on size and subject. His legacy is that of a painter who masterfully captured the emotion, tradition, and drama of the Spanish corrida. 🎨 Similar Artists José María Tuser Vázquez’s work shares thematic and stylistic elements with: Roberto Domingo – A pioneer of bullfighting art...