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Thomas Earl
"Rabbits" by Thomas Earl & Henry Bright

Price:$6,500
$8,922.31List Price

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Snipe Shooting
By Samuel Alken Jnr.
Located in Stoke, Hampshire
Samuel Alken Jnr (1784-1825) Snipe Shooting Signed 'S. Alken' Oil on canvas Painting Size - 12 x 16 1/2 in Framed Size - 17 x 21 1/2 in Samuel Alken Junior (1784–1825) Samuel Alken ...
Category

19th Century Victorian Landscape Paintings

Materials

Oil

Pheasant Shooting
By Samuel Alken Jnr.
Located in Stoke, Hampshire
Samuel Alken Jnr (1784-1825) Pheasant Shooting Signed 'S. Alken' Oil on canvas Painting Size - 12 x 16 1/2 in Framed Size - 17 x 21 1/2 in Samuel Alken Junior (1784–1825) Samuel Alk...
Category

19th Century Victorian Landscape Paintings

Materials

Oil

A horse-drawn buggy on a track, a hunt beyond
By George Paice
Located in Stoke, Hampshire
George Paice (1854-1925 A horse-drawn buggy on a track, a hunt beyond signed and dated lower left Oil on canvas Canvas size 23 x 60 in Framed size 27 x 65 in Provenance The Collecti...
Category

19th Century Victorian Animal Paintings

Materials

Oil

Pheasant Shooting & Snipe Shooting
By Samuel Alken Jnr.
Located in Stoke, Hampshire
Samuel Alken Jnr (1784-1825) Snipe Shooting Pheasant Shooting Both signed 'S. Alken' A pair, Oil on canvas Painting Size - 12 x 16 1/2 in Framed Size - 17 x 21 1/2 in Samuel Alken J...
Category

19th Century Victorian Landscape Paintings

Materials

Oil

Pheasant Shooting & Snipe Shooting
$10,432 Sale Price
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A bay hunter in a landscape, a view of Windsor castle beyond
By Edmund Bristow
Located in Stoke, Hampshire
Edmund Bristow (1787-1876) A bay hunter in a landscape, Windsor castle beyond Signed with initials lower left Oil on canvas Canvas Size 22 1/2 x 27 1/2 in Framed Size 27 x 32 in Pro...
Category

19th Century Victorian Animal Paintings

Materials

Oil

Mr Ward on Quicksilver, the hunt beyond
By Richard Barrett Davis
Located in Stoke, Hampshire
Richard Barrett Davis (1782-1854) Mr Ward on Quicksilver Oil on canvas Canvas Size - 25 x 30 in Provenance with Ackermann & Son, London; where purchased by the present owner. Born...
Category

19th Century Victorian Animal Paintings

Materials

Oil

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19th Century Scottish Highland landscape oil painting of Loch Lubnaig
By Alfred de Breanski Sr.
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Alfred de Breanski Snr British, (1852-1928) The Head of Loch Lubnaig Oil on canvas, signed & transcribed verso Image size: 23.5 inches x 35.5 inches Size...
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An idyllic view of cattle and sheep grazing in a pasture before an oak tree with a blue sky with bollowing clouds beyond. William S Rose (1810-1873) Cattle and sheep grazing in rou...
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Thomas Sidney Cooper RA, Livestock In A Landscape With River Beyond
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This fine mid-19th-century oil painting by British artist Thomas Sidney Cooper RA (1803-1902) depicts two cows and a sheep in a landscape. Cooper was a distinguished painter of the n...
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Thomas Sidney Cooper British, (1803-1902) Canterbury Meadows Oil on canvas, signed & dated ‘T. Sidney Cooper RA/1894 Image size: 14.75 inches x 24.75 i...
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19th Century landscape oil painting of sheep grazing on a clifftop
By Charles Jones (b.1836)
Located in Nr Broadway, Worcestershire
Charles Jones British, (1836-1892) Sheep Grazing on a Cliff Top Oil on canvas, signed with monogram Image size: 7.5 inches x 11.5 inches Size including frame: 13.5 inches x 17.5 inches A lovely landscape painting of sheep on a coastal cliff by Charles ‘Sheep’ Jones. The sheep and her two lambs are depicted against the backdrop of the sea with shipping and chalk cliffs in the distance. The location is likely to be the Devon coast, an area Jones visited often. Charles Jones was an animal painter who was born in Stepney, London in 1836. He was the son of the artist Samuel John Egbert Jones (1797-1861) and Dinah Jones. He lived with his parents and 9 siblings in Mile End and was a pupil of his father. In September 1859, he married Frances Rosalinda Downe, who was born in America. His son Arthur Bertram Loud (1863-1930) also became an artist. They lived at 12 Hayes Place, Lisson Grove from where he made his debut in London at the Royal Academy in 1861. He also exhibited at the British Institution, Suffolk Street, New Watercolour Society, Royal Institute of Oil Painters and the Royal Institute of Painters in Watercolours. By 1867, he had become a successful artist and had moved to 7 Paragon Place, Brixton Hill. From 1874, he lived at Heathercroft, Balham Hill where he spent the rest of his life. As well as the major London galleries, he also exhibited provincially at various locations including: the Royal Cambrian Academy where he was elected a member in 1886, the Glasgow Institute of Fine Arts, Manchester City Art Gallery, Royal Hibernian Academy, Royal Society of British Artists, Birmingham and the Walker Art Gallery, Liverpool. Some of the smaller more intimate galleries he exhibited at were Arthur Tooth & Sons and Thomas Richardson...
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