Unknown

Portrait Of A Prize Hereford Bull, 19th Century by RICHARD WHITFORD (1821-1890)

Portrait Of A Boxer Dog, dated 1960 John Battenberg (1936-2013) New York Abstract Painter Large 1960 American Abstract portrait of a Boxer Dog, oil o...

The Battle Of Gravelotte, 18th August 1870, 19th Century signed "H C Herba" 19th Century Franco-Prussian War scene from the Battle of Gravelotte,...

Portrait Of A Terrier, dated 1865 by George Armfield (1808-1893) Large 19th Century portrait of a Terrier at a rabbit hole, oil on canvas by Ge...

Horse and Dogs in a Highland Landscape, dated 1913 by William E. POWELL (1878-1955) Large 1913 Scottish Highland scene of a horse and hounds in a landscape, oil on canvas by Will...

In this piece, I've encapsulated the serene interplay of nature's symphony and the tranquil sights of the countryside. Notice how the storks atop the hay bales serve as conductors of...

Mirrich (2019) is a vibrant mixed media work by Inés Silvalde, created with acrylic paint, relief paste, and marker on panel. Measuring 27 x 21 x 3 cm and presented in a natural wood...

In the creation of this artwork, I poured my soul into capturing the essence of serenity and mystery. As an artist, I sought to blend the realms of figurative grace and impressionist...

This landscape painting by Swedish artist Fritz Lindström captures the tranquility of the Stockholm archipelago. "An Autumn Evening Study, 1901" is a stunning portrayal of a rural scene at dusk. The painting's delicate pink and purple sky envelops the landscape in a soft glow, hinting at the transition from day to night. In the middle ground, a farmer with his horse can be seen plowing a field, adding a narrative element to this peaceful scene. This work is one of several paintings Lindström created during this period, following his time in France and prior to joining the Rackstad group in 1903. BIOGRAPHY Fritz Lindström started his artistic journey as an apprentice in decorative painting under Carl Grabow, where he met fellow artist Björn Ahlgrensson. He later studied at the Artists' Association School in Stockholm with Richard Bergh (1892–1894 and 1895–1896) and at Valand Art School in Gothenburg under Carl Larsson (1894–1895). His studies continued in Copenhagen and Paris from 1897 to 1899. In 1900, Lindström returned to Sweden, drawn to Värmland by his friend and brother-in-law Björn Ahlgrensson. From 1903 onwards, he became part of the Rackstad group—a community of artists who saw the countryside as an ideal setting for artistic and spiritual work. This belief resonated with Lindström, and he remained dedicated to this lifestyle for over fifty years, living and working by Lake Racken. Lindström's early artistic focus was on the challenging art of human studies, which piqued his interest. Despite financial struggles and difficulty selling his paintings, he gained recognition mainly for his portraits, known for their well-constructed composition and deep psychological insight. Portrait painting became crucial for his financial stability. Interest in his landscape paintings grew when the director of the National Museum happened upon his landscapes during an exhibition opening...