William Webb

The Duke of Wellington's 'Copenhagen', ridden at the Battle of Waterloo

George Paice (1854-1925 A horse-drawn buggy on a track, a hunt beyond signed and dated lower left Oil on canvas Canvas size 23 x 60 in Framed size 27 x 65 in Provenance The Collecti...

Attributed of George Henry Laporte (c. 1799–1873) An Arabian stallion, in a landscape, with pyramids and riders beyond Oil on canvas Canvas size - 13 1/2 x 20 in Framed size - 20 x 2...

Edmund Bristow (1787-1876) A bay hunter in a landscape, Windsor castle beyond Signed with initials lower left Oil on canvas Canvas Size 22 1/2 x 27 1/2 in Framed Size 27 x 32 in Pro...

Richard Barrett Davis (1782-1854) Mr Ward on Quicksilver Oil on canvas Canvas Size - 25 x 30 in Provenance with Ackermann & Son, London; where purchased by the present owner. Born...

Alfred De Breanski Senior Oil on canvas Signed and inscribed on the reverse Canvas Size: 24 x 36" (60 x 90cm) Outside Frame Size: 35 x 47" (87.5 x 117.5cm) Free shipping worldwide ALFRED De BREANSKI Snr Alfred De Breanski was a distinguished landscape painter who became famous for his resplendent views of the Welsh and Scottish Highlands; he also painted many views of the Thames. Often bathed in a flood of golden light, these landscapes usually feature water and cattle or sheep on grassy banks; sometimes a solitary figure is seen the distance. Breanski belonged to the real stamp of those landscape painters who nimbly seized moments of the day. He had a great passion for the Highlands and perhaps more than any other, caught the atmospheric influences of the undulating landscape. Born in Greenwich...

George Turner British, (1843-1910) Near Tonge, Leicestershire Oil on canvas, signed Image size: 15.25 inches x 23.25 inches Size including frame: 22.75 inches x 30.75 inches A cha...

English School Farmyard Scene with Horses and Goat Oil on panel, unsigned The Circle of John Frederick Herring Sr. Circa 1880 Presented in a later gilt and painted frame This finely rendered 19th-century English farmyard scene captures the quiet dignity of rural life, with a group of three horses—white, chestnut, and black—gathered beneath a tree in the warm light of late afternoon. A small goat stands to one side near a rustic stable, adding a note of charming domesticity to the composition. The surrounding landscape, with its distant hills and careful play of shadow and cloud, speaks to the artist’s sensitivity to atmosphere and detail. Though unsigned, the painting is executed in a manner closely aligned with the work of John Frederick Herring Senior, one of Britain’s most celebrated animal painters of the Victorian era. The careful modelling of the horses, their distinctive postures and anatomy, and the tranquil farm setting are all hallmarks of Herring’s influence. Painted in oils on a wooden panel, the surface retains a fine, even gloss and a warm palette typical of the period. The composition is both balanced and lyrical: the interplay of form and gesture among the animals invites the viewer into a moment of repose between work and activity, emblematic of Victorian ideals of harmony between man, beast, and the land. A delightful example of 19th-century English rural painting...

Artist/ School: E. S. England (British, active c. 1890-1910), signed lower corner. Title: The Huntsman and his horse. Medium: signed oil painting on canvas, unframed. canvas: ...