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Zhang HongyuNocturnal Melody 24 by Zhang Hongyu - animal painting, running horses2025
2025
$11,333.15
£8,377.67
€9,500
CA$15,719.67
A$17,137.87
CHF 9,055.32
MX$210,755.51
NOK 112,595.63
SEK 105,993.87
DKK 72,337.61
About the Item
Nocturnal Melody 24 is a unique painting by contemporary artist Hongyu Zhang. The painting is made with Indian Ink, acrylic, charcoal, pastel and etching on grey cardboard mounted on canvas, dimensions are 130 × 97 cm (51.2 × 38.2 in). Framed dimensions are 135 x 102 cm (53.1 x 40.1 in).
The artwork is signed, sold framed (grey shadow box) and comes with a certificate of authenticity.
The imagery seems to portray abstract representations of horses in motion, brought to life with bold, expressive brushwork. A strong visual tension emerges from the contrast between the ochre-yellow tones dominating the upper part and the deep black hues below, creating a powerful and dramatic effect.
Indian ink and charcoal give the work a pronounced, graphic intensity, while pastel introduces sweeping, colorful lines that evoke movement and energy. Fine etched details delicately embedded in the surface add a tactile complexity. Altogether, the composition evokes a compelling mix of strength and turbulence, tempered by the artist’s skillful command of materials and structure, resulting in a visually captivating and emotionally resonant piece.
- Creator:Zhang Hongyu (1981, Chinese)
- Creation Year:2025
- Dimensions:Height: 51.19 in (130 cm)Width: 38.19 in (97 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Paris, FR
- Reference Number:1stDibs: LU803116689852
Zhang Hongyu
Hongyu Zhang’s artworks take root in calligraphy and traditional Chinese painting. The line creates the fundamental unity of all his works, particularly his portraits, which have a striking expressive power. The artist draws them on different mediums placed directly on the floor, with music helping him to find the strength, rhythm and movement of each work. He creates an energetic space that attracts and captivates, inviting us to decipher the artist’s nervous writing, which seems to have been invented to understand the depths of the soul. “For me, a work is the meeting between a subject and the artist’s thoughts, his experiences. It is about giving an impression, translating a feeling... This approach is central to the aesthetic system of traditional Chinese painting: it is more about expressing a sensation than painting a reality.’’
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