Benjamin Carrivick

woman in red, Painting, Oil on Paper

2020

oil painting walker in a public garden in France. oil painting with people sitting on benches in a garden with roses. Oil painting on canvas the ...

Original oil painting on canvas of walkers in a public garden in France during flowering roses, people sitting on a bench. Painting the rose garden in a ...

Winter Color original oil on panel :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed:...

I've worked on and off at painting people sitting. This woman sits on the edge of her porch. This is oil on linen, ready to hang. :: Painting :: Impressionist :: This piece comes w...

Spring melting snow original contemporary impressionism oil on canvas :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the arti...

Inspired by the immigrants from Ethiopia and all the difficulties they suffer from the very natural problems of absorption in another new world and above it the racism of inferior pe...

Childhood, a reoccurring theme in Darlene Cole’s work, is represented by prepubescent girls and boys, engaged in some type of action. Without adult supervision, these activities confer on Cole’s children an adult-like aura, empowering them. The artist cites Neil Postman’s 1982 book about the decline in innocence in American culture The Disappearance of Childhood as a text that informs her work. In it, Postman argues that communications technology, such as the invention of the television and later, the Internet, contributed to children losing their innocence, thus transforming them into young adults. A source of inspiration for Cole are the works of the Pre-Raphaelite Brotherhood, a group of English painters, poets and critics, founded in 1848. They studied nature attentively, employed vivid colours and depicted unconventional-looking women. Just like in Pre-Raphaelite works, the girls in Cole’s paintings embody enigma, distance, and beauty. The past, in general, is a great source of inspiration for the artist. Cole’s cottage, or ‘artist’s retreat’ as she calls it, was built at the beginning of the 20th century. Since she kept all the original furniture and linens intact, the cottage, on the side of a lake, seems to belong to the past. Nature, another omnipresent theme in Cole’s work, is in many works represented by flowers, such as pink David Austin roses...

"I am an experimental painter. I have been working on my craft since 1996. I start work with a conceptual point of entry and then work intuitively, in dialogue with the work. The art...

"I am an experimental painter. I have been working on my craft since 1996. I start work with a conceptual point of entry and then work intuitively, in dialogue with the work. The art...

"I am an experimental painter. I have been working on my craft since 1996. I start work with a conceptual point of entry and then work intuitively, in dialogue with the work. The art...

Childhood, a reoccurring theme in Darlene Cole’s work, is represented by prepubescent girls and boys, engaged in some type of action. Without adult supervision, these activities confer on Cole’s children an adult-like aura, empowering them. The artist cites Neil Postman’s 1982 book about the decline in innocence in American culture The Disappearance of Childhood as a text that informs her work. In it, Postman argues that communications technology, such as the invention of the television and later, the Internet, contributed to children losing their innocence, thus transforming them into young adults. A source of inspiration for Cole are the works of the Pre-Raphaelite Brotherhood, a group of English painters, poets and critics, founded in 1848. They studied nature attentively, employed vivid colours and depicted unconventional-looking women. Just like in Pre-Raphaelite works, the girls in Cole’s paintings embody enigma, distance, and beauty. The past, in general, is a great source of inspiration for the artist. Cole’s cottage, or ‘artist’s retreat’ as she calls it, was built at the beginning of the 20th century. Since she kept all the original furniture and linens intact, the cottage, on the side of a lake, seems to belong to the past. Nature, another omnipresent theme in Cole’s work, is in many works represented by flowers, such as pink David Austin roses...

"I am an experimental painter. I have been working on my craft since 1996. I start work with a conceptual point of entry and then work intuitively, in dialogue with the work. The art...