Benjamin Stahl

The Life I Always Wanted

Mid-20th Century

Label verso indicates the work illustrated a story titled, Epilogue, appearing in the Saturday Evening Post (c. 1940s)

Signed Lower Left

Medium: Oil on Canvas Dimensions: 29" x 20" Signature: Initialed Lower Left American Artist (20th Century)

This illustration by Ben Stahl was published on the cover of the feminist novel Stand We At Last by Zoë Fairbairns, published in 1983 by Houghton Mifflin. The multi-generational stor...

Signed with the artist's initials lower right Watercolor on Twinrocker heavy weight paper

Maty

Really charming rural south painting probably done in the 1950s or 60s. It is oil on canvas measuring 30 inches high by 24 wide. The frame is 33 by 27. It does not appear to be signed.

John-Herbert was born in Miami and moved to New York city when he was 3 years old. As the son of a Filipno mother and bi-racial father, his multi-cultural roots at first felt like a challenge but with time, and especially through his creative explorations, he would create his own unique world. This would immerse into his work; containing multiple points of views. Inspirations from Basquiat to Van Gogh, Monet to Dali and Matisse; John-Herbert developed a Neo-Expressionist approach infused with surrealism, figurative, and abstract renderings. From the tender age of eight, Wright gravitated to painting as an escape expressing a rich inner world. His work heavily relies upon dark figurations amongst an urban landscape leaving the viewer space to navigate the world he creates. An analogy of the human condition; centering the female nude/mother and child as the protagonist, he tells the story of the broken seeking respite, the downcast, the other. Wright seeks to illuminate the universe of darkness within all of us, within himself, and that darkness contrasted with fragility has always been at the epicenter of his work. Wright has managed to create a niche for himself as a painter and street-wear designer, contributing to the role the graphic t-shirt played in disseminating New York street culture across the globe. Transferring the techniques of garment making onto his canvases, Wright’s paintings feature backdrops of multiple layers of silk-screened images, drawings and text. He has also expanded his avenues of expression, creating installations and even multi-sensory exhibitions, building even more detailed spaces to travel with him through. Although his success has been celebrated, in many ways till recently, Wright has also kept his own story on fade. This changed last year with his highly lauded solo show “Rewind & Reflect” (at the Blue Gallery...