Brian Nash

Come at me, bro!, Painting, Acrylic on Canvas

2018

This painting is acrylic on deep-profile canvas, wired and ready to hang. :: Painting :: Pop-Art :: This piece comes with an official certificate of authenticity signed by the artist...

Resist, be different, fight the system :) This is an original hand painted artwork by Ewen Gur. Technique used: acrylic and ink on canvas. High-quality colors (UV-Light resistant)...

One bad decision may lead to others :: Painting :: Pop-Art :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: No :...

This painting is acrylic on deep-profile canvas, wired and ready to hang. :: Painting :: Pop-Art :: This piece comes with an official certificate of authenticity signed by the artist...

John Randall Nelson’s paintings are layered with his own personal language consisting of patterns, symbols, and archetypes that may not make any literal sense but play on subconscious associations. His paintings are thick with paint, poured pigment and saturated washes with layers of drawing and collage. While Nelson's work is akin to outsider, folk art, it should be noted that he received his MFA from Arizona State...

"Keep Trying To", diptych, mixed media on panel — 94 x 94 inches. John Randall Nelson is an Arizona-based painter and sculptor. Nelson’s works are layered with his own personal lan...

"New York artist Robert Reitzfeld has a devoted cult following, but his paintings are not nearly as well known as they ought to be....The paintings show a witty merger of Pop art idioms and post-painterly abstraction, like a mutant blend of John Wesley, Michael Bevilacqua and Gerhard Richter. In each of the exuberant compositions, Reitzfeld offers a unique balance of formalist elements and absurdist drama." from David Ebony's Top Ten @ Artnet At first, Robert Reitzfeld's distinctive melange of Ab Ex. Pop, Op and other postwar painting styles appears to be a send-up of the source material. Among the 25 recent paintings and works on paper in this show, a number of pieces, including Minnie Mouse, Olive. Che. Marilyn and others, feature cartoons and familiar Pop-art iconography, Reitzfeld's versions often appropriating passages from Warhol and Lichtenstein. But Reitzfeld's images are very often fragmented, with roughly torn edges in the paper pieces and colorful abstract passages of paint in the canvases obscuring and sometimes rearly obliterating the subjects. Rather than a nihilistic gesture, however, his distortions may be viewed as a kind of archeology of recent art. They also reveal a rather personal relationship with specific works that have inspired the veteran New York artist over the years. 1961, I Was There (2007), for instance, Is a painting featuring Donald Duck in his blue-and-white sailor suit—a fragment of Lichtenstein's 1961 painting Look, Mickey!, partly painted over with layered patches of red and pink acrylic as well as a sprinkling of glitter. The title of Reitzfeld's piece alludes to his attendance at a 1961 opening at New York's Sidney Janis Gallery, where Lichtenstein showed this seminal Pop work. Reitzfeld is at his best here in several relatively large (about 36 inches square) intricate hard-edge compositions, such as TBT 56 (Marriage), 2006, and T8T 63 (2007). The latter contains another Lichtenstein reference: a detail of the Whitney Museum's 1973 Still Life with Crystal Bowl set...

Save Our Souls Michael Knigin, American (1942–2011) Date: circa 1992 Acrylic on Canvas Size: 38 x 40 in. (96.52 x 101.6 cm) Eight electric blue crows are lined in two rows against a...