Carole Eisner

Aza

1981

While Rachelle Krieger hints at elements of landscape across her canvases spherical shapes for rocks and boulders, dynamic lines climbing up and across the canvas for trees—she is re...

While Rachelle Krieger hints at elements of landscape across her canvases spherical shapes for rocks and boulders, dynamic lines climbing up and across the canvas for trees—she is re...

While Rachelle Krieger hints at elements of landscape across her canvases spherical shapes for rocks and boulders, dynamic lines climbing up and across the canvas for trees—she is re...

The artist activates her landscapes with sensuous applications of pigment. She layers bold hues and constructs rhizomatic forms—then interrupted by intuitive streaks of spray paint. ...

While Rachelle Krieger hints at elements of landscape across her canvases spherical shapes for rocks and boulders, dynamic lines climbing up and across the canvas for trees—she is re...

During these difficult times I have been finding respite and refuge in nature, once again painting outdoors, after many years of working predominantly in the studio. It has been heal...

In his first solo exhibition with David B. Smith Gallery, Leon Benn floods the main gallery with large-scale paintings bounding with vibrant colors and hallucinatory observations of ...

In his first solo exhibition with David B. Smith Gallery, Leon Benn floods the main gallery with large-scale paintings bounding with vibrant colors and hallucinatory observations of ...

Richmond Burton’s works are known for their kaleidoscopic color, undulating patterns, and lyrical handling of expressionistic mark making. His Visceral, seductive, and organic compositions play with decorative patterning without compromising a conceptual backbone. Their intensity of vision allows for transcendent thought, experience, and connection while challenging any preconceived norms or rules defining abstract painting. “Structure is never absent; it’s just uninsistent, even accidental. The paintings are built up in stages, but never give the impression of being hard-worked. They have a fluid, textural presence, like luxury fabrics printed with overlapping, off-register layers of patterning.” — Holland Cotter, The New York Times (1999). Richmond Burton (b. 1960, Talladega, AL) obtained a BA in architecture from Rice University Houston, TX (1984). He lives and works in Woodstock, NY. Burton has shown extensively both domestically and internationally and has work in the collections of The Art Institute of Chicago, Chicago, IL; The Broad, Los Angeles, CA; Dallas Museum of Art, Dallas, TX; Fogg Museum at Harvard University, Cambridge, MA; The Metropolitan Museum of Art, New York, NY; Museum of Modern Art (MoMA), New York, NY; and National Gallery of Art, Washington DC, among others. Recent solo exhibitions include venues such as Sarah Moody Gallery of Art at University of Alabama, Tuscaloosa, AL (2015); Silas Marder Gallery, Bridgehampton, NY (2014); Philip Slein Gallery, St. Louis, MO (2013); and George Lawson...

30 x 100 oil on linen over panel. Framed dimensions are 32H x 102W

Since the late 1970’s, Younghee Choi Martin has lived and worked in Chelsea, where she was one of the earliest artists to establish a painting studio. A graduate of the Rhode Island School of Design, she has been awarded painting fellowships from the National Endowment for the Arts and the NY CAPS...

Since the late 1970’s, Younghee Choi Martin has lived and worked in Chelsea, where she was one of the earliest artists to establish a painting studio. A graduate of the Rhode Island School of Design, she has been awarded painting fellowships from the National Endowment for the Arts and the NY CAPS...