Catherine Woskow

Long Horn and Clarinet

2019

Heidi Barrett grew up in the Napa Valley with an artist mother -(Diane Peterson)- and a scientific winemaker father -(Dr. Richard Peterson). While she has worked as a professional winemaker for more than three decades, she has also had a passion for art since childhood. For more than 30 years, Heidi has studied art in various forms with Theo Fabian Becker, Robert Burridge...

Mariella Bisson makes paintings using landscape imagery in order to explore color relationships, texture and endless subtleties of paint itself. She works in mixed media on linen or ...

Mariella Bisson makes paintings using landscape imagery in order to explore color relationships, texture and endless subtleties of paint itself. She works in mixed media on linen or ...

Robert Mars’ graphic compositions and rich colors provide an ideal medium in which to explore his fascination with the Golden Age of American popular culture and the icons of the 1950’s and 60’s. Drawing inspiration from the near-mythical fame that surrounded celebrities such as Marilyn Monroe or Audrey Hepburn before the instant and all-encompassing presence of the internet, Mars’ daring approach creates paintings with a nostalgic yet innovative vintage quality. Beginning by defining borders and background planes of color with sheets of brown paper, Mars then proceeds to layer paint and vintage paper ephemera...

Catherine Woskow’s abstract paintings exhibit a bold rawness that the artist draws from her own inner world, with her thoughts and emotions on view as a visceral expression in each o...

Robert Mars’ graphic compositions and rich colors provide an ideal medium in which to explore his fascination with the Golden Age of American popular culture and the icons of the 195...

Robert Kelly’s painted collages are anchored in a step-by-step process of formal puzzle composition and informed by decades of expert surface crafting. Having grown fond of the pared...

Robert Kelly’s painted collages are anchored in a step-by-step process of formal puzzle composition and informed by decades of expert surface crafting. Having grown fond of the pared...

"All it Holds Within" is a beautiful tribute to the tragic situation of an indigenous sect in India. Tribal people of Jharkhand in India are displaced fro...

Nancy Genn, American (b. 1929) Marshfield 25 (1977) Handmade paper collage Hand signed verso Dimensions: 20 1/8 x 22 inches Utilizing what is now known as the 'Genn Method,' Nancy Genn created three-dimensional abstract works of handmade paper, gaining international recognition in the 1970s Nancy Genn is an American artist living and working in Berkeley, California known for works in a variety of media, including paintings, bronze sculpture, printmaking, and handmade paper rooted in the Japanese washi paper making tradition. Her work explores geometric abstraction, non-objective form, and calligraphic mark making, and features light, landscape, water, and architecture motifs. She is influenced by her extensive travels, and Asian craft, aesthetics and spiritual traditions. Nancy Genn was born in 1929 in San Francisco, California. She recognized early that she would pursue a career as an artist. Her mother, Ruth Wetmore Thompson Whitehouse, was a painter and UC Berkeley alumna who played a leadership role in the San Francisco Women Artists organization. Genn studied at San Francisco Art Institute (then California School of Fine Arts) with painter Hassel Smith, and at the Art Department at the University of California, Berkeley (1948–49) with Professors Margaret Peterson and John Haley, and fellow students Sam Francis and Sonya Rapoport. In 1949 she married Vernon “Tom” Genn, an engineer raised in Japan, with whom she had three children. Career Genn's first noted solo exhibition was in 1955 at Gump's Gallery in San Francisco. She received international recognition through her inclusion in French art critic Michel Tapié’s seminal text Morphologie Autre (1960), which cited her as one of the most important exponents of post-war informal art. In 1961, Genn began creating bronze sculptures using the lost-wax casting method. Influenced by noted sculptor and family friend Claire Falkenstein, who used open-formed structures in her work, Genn cast forms woven from long grape vine cuttings, and produced vessels, fountains, fire screens, a menorah, a lectern, and, notably, the Cowell Fountain (1966) at UC Santa Cruz. In 1963 her sculptural work was exhibited with Berkeley artists Peter Voulkos and Harold Paris in the influential exhibition Creative Casting curated by Paul J. Smith at the Museum of Contemporary Crafts, New York. Genn was one of the first American artists to express herself through handmade paper, first receiving wide recognition via exhibitions at Susan Caldwell Gallery, New York, beginning in 1977, and in traveling exhibitions with Robert Rauschenberg and Sam Francis. In 1978-1979, supported by the National Endowment for the Arts and Japan Creative Arts Fellowship, she studied papermaking in Japan, visiting local paper craftspeople, working in Shikenjo studio in Saitama Prefecture, and exhibiting her work in Tokyo. She also learned techniques from Donald Farnsworth...

Kymm Swank is a self-taught artist who works primarily in oils, acrylics and resins. Originally from Kansas City, Missouri, she received degrees in theatre,...

Framed Dimensions: 40 (W) x 60” (H) Oil on collaged canvas ABOUT THIS ARTIST: Colt Seager is an abstract painter and multidisciplinary artist who grew up in the suburbs of Chic...