Clarence James

Clarence James "Bon Voyage"

2025

Artist: James, Clarence Title: Untitled. Date: 2023 Medium: Acrylic, Aerosol, Oil Stick on Canvas Unframed Dimensions: 40" x 30" Signature: Signed by Artist on Verso Edition: ...

Artist: James, Clarence Title: We All Live Date: 2022 Medium: Acrylic, Aerosol, Oil Stick on Canvas Unframed Dimensions: 40" x 30" x 1.5" Signature: Signed by Artist on Verso ...

Artist: James, Clarence Title: Meta Date: 2024 Medium: Acrylic, Aerosol, Oil Stick on Canvas Unframed Dimensions: 40" x 30" x 1.5" Signature: Signed by Artist on Verso Edition:...

Artist: James, Clarence Title: Stand Out Date: 2025 Medium: Acrylic, Aerosol, Oil Stick on Canvas Unframed Dimensions: 40" x 30" x 1.5" Signature: Signed Edition: Unique

Jeremy Hoffeld's work plays with ambiguity, and subverts the notion that one must choose between "abstraction and figuration, the new and the borrowed or even clichéd, the bright and the muddy, the natural/primordial and the synthetic/modern." For Hoffeld, "paintings, both abstract and figurative, have always been linked with music and literature. He aims to infuse his paintings with...improvisation, spontaneity, and energy." Hoffeld has had several solo shows since 2006 at galleries in New York including John Davis Gallery, Varga Gallery, Sky-Tree Gallery and Art Center, and the Catskills Gallery, as well as Galerie Hugo Cassel in Berlin and the Emily Harding Gallery...

Is it the end, or the start of something new? Acrylic, Latex, Aerosol, Mixed Media. Jordan Barker is a New York City based mixed media artist. Initially inspired by found objects, h...

Original, mixed media on canvas. Motivated by his quest to marry his two greatest passions - music and art; in addition to his adventurous spirit and fascination with all things int...

"Lone Star, True But Whatever There was I time when I ached for the world. Before cell phones, before social media, I felt the urgency of environmental damage, of social injustice. Nothing seems to have gotten better. I'm not numb to it, but in some way I've become flip, a resigned humor like a layer of scar tissue between my concerns and the abrasion all around. Still, I was surprised how playful these paintings became. Disasters intertwine: Urns, much like the one that held my twin sister's ashes, a familial disaster, come to the forefront, variations of childhood memory. Images from photos I took in Port Aransas...