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Untitled (Age 11)

Untitled (Age 11)

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Daisy Patton
Untitled (Age 11)

2017

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  • Untitled (Mother and Daughter in the Yard)
    By Daisy Patton
    Located in Denver, CO
    In Forgetting is so long, Daisy Patton collects abandoned, anonymous family photographs, enlarges them past their familiar size, and paints over them. She uses paint to disrupt, to reimagine, to re-enliven these individuals removed from their space and time. Family photographs are sacred relics to their loved ones, but unmoored the images become hauntingly absent. Taussig states that defacing these types of objects forces a “shock into being;” suddenly we perceive them as present, revered, and piercing. By mixing painting with photography, she lengthens Roland Barthes’ “moment of death” (the photograph) into a loving act of remembrance yet also a form of purgatory. Not alive but not quite dead, each person’s newly imagined and altered portrait...
    Category

    2010s Contemporary Paintings

    Materials

    Oil, Panel, Archival Pigment

    Untitled (Mother and Daughter in the Yard)

    Daisy Patton
    Untitled (Mother and Daughter in the Yard), 2020

    $17,000
  • Untitled (Family Portrait with Photograph)
    By Daisy Patton
    Located in Denver, CO
    In Forgetting is so long, Daisy Patton collects abandoned, anonymous family photographs, enlarges them past their familiar size, and paints over them. She uses paint to disrupt, to reimagine, to re-enliven these individuals removed from their space and time. Family photographs are sacred relics to their loved ones, but unmoored the images become hauntingly absent. Taussig states that defacing these types of objects forces a “shock into being;” suddenly we perceive them as present, revered, and piercing. By mixing painting with photography, she lengthens Roland Barthes’ “moment of death” (the photograph) into a loving act of remembrance yet also a form of purgatory. Not alive but not quite dead, each person’s newly imagined and altered portrait...
    Category

    2010s Contemporary Paintings

    Materials

    Oil, Panel, Archival Pigment

    Untitled (Family Portrait with Photograph)

    Daisy Patton
    Untitled (Family Portrait with Photograph), 2020

    $17,000
  • Untitled (Family Members with Patterned Dresses and Car)
    By Daisy Patton
    Located in Denver, CO
    In Forgetting is so long, Daisy Patton collects abandoned, anonymous family photographs, enlarges them past their familiar size, and paints over them. She uses paint to disrupt, to reimagine, to re-enliven these individuals removed from their space and time. Family photographs are sacred relics to their loved ones, but unmoored the images become hauntingly absent. Taussig states that defacing these types of objects forces a “shock into being;” suddenly we perceive them as present, revered, and piercing. By mixing painting with photography, she lengthens Roland Barthes’ “moment of death” (the photograph) into a loving act of remembrance yet also a form of purgatory. Not alive but not quite dead, each person’s newly imagined and altered portrait...
    Category

    2010s Contemporary Paintings

    Materials

    Oil, Panel, Archival Pigment

    Untitled (Family Members with Patterned Dresses and Car)

    Daisy Patton
    Untitled (Family Members with Patterned Dresses and Car), 2020

    $18,500
  • Untitled (M L Ruby Chen Joyce Kwok C L)
    By Daisy Patton
    Located in Denver, CO
    In Forgetting is so long, Daisy Patton collects abandoned, anonymous family photographs, enlarges them past their familiar size, and paints over them. She uses paint to disrupt, to reimagine, to re-enliven these individuals removed from their space and time. Family photographs are sacred relics to their loved ones, but unmoored the images become hauntingly absent. Taussig states that defacing these types of objects forces a “shock into being;” suddenly we perceive them as present, revered, and piercing. By mixing painting with photography, she lengthens Roland Barthes’ “moment of death” (the photograph) into a loving act of remembrance yet also a form of purgatory. Not alive but not quite dead, each person’s newly imagined and altered portrait...
    Category

    2010s Contemporary Mixed Media

    Materials

    Oil, Panel, Archival Pigment

    Untitled (M L Ruby Chen Joyce Kwok C L)

    Daisy Patton
    Untitled (M L Ruby Chen Joyce Kwok C L), 2020

    $20,000
  • Untitled (Seated Woman with Plant and Flowers)
    By Daisy Patton
    Located in Denver, CO
    In Forgetting is so long, Daisy Patton collects abandoned, anonymous family photographs, enlarges them past their familiar size, and paints over them. She uses paint to disrupt, to r...
    Category

    2010s Contemporary Paintings

    Materials

    Oil, Panel, Archival Pigment

    Untitled (Seated Woman with Plant and Flowers)

    Daisy Patton
    Untitled (Seated Woman with Plant and Flowers), 2020

    $18,500
  • Untitled (Two Women with Green and Gold Robes and Floral Pattern)
    By Daisy Patton
    Located in Denver, CO
    In Forgetting is so long, Daisy Patton collects abandoned, anonymous family photographs, enlarges them past their familiar size, and paints over them. She uses paint to disrupt, to reimagine, to re-enliven these individuals removed from their space and time. Family photographs are sacred relics to their loved ones, but unmoored the images become hauntingly absent. Taussig states that defacing these types of objects forces a “shock into being;” suddenly we perceive them as present, revered, and piercing. By mixing painting with photography, she lengthens Roland Barthes’ “moment of death” (the photograph) into a loving act of remembrance yet also a form of purgatory. Not alive but not quite dead, each person’s newly imagined and altered portrait...
    Category

    2010s Contemporary Figurative Paintings

    Materials

    Oil, Panel, Archival Pigment

    Untitled (Two Women with Green and Gold Robes and Floral Pattern)

    Daisy Patton
    Untitled (Two Women with Green and Gold Robes and Floral Pattern), 2020

    $17,000
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