Dwayne Wolff

Fork Capades, Painting, Oil on Canvas

2010

This painting is one of several I completed while participating in Palette 22 restaurant's artist-in-residence program. A collage of three bird-like figures inspired this painting. M...

In this colourful landscape, I've poured the essence of joy, simplicity, and the natural world's unfettered spirit. Using oil and oil pastel, I've blurred the lines between reality a...

Acrylic on canvas framed to Guild of Framers Museum Standard, hand finished and gilded. :: Painting :: Modern :: This piece comes with an official certificate of authenticity signed ...

I live in a town by the sea. I moved here recently, but only today I painted the sea. Until now I looked at it, I admired it, I was fascinated by the waves, the colours, the changes,...

Old World, by 1943, oil on canvas, signed lower right, 43 ½ x 30 ½ inches, artist’s name and title inscribed verso; exhibited 1) Romantic Painting in America, Museum of Modern Art, N...

Transporting oil painting on canvas of a church with trees on a sunny day, executed in a bold modernist style, signed Ferdinand Burgdorff 1964 in the lower left, titled Tree Lined Ch...

When I think of where McCauley fits into American art, as a contemporary painter, sculptor and naturalistic interpreter, I place him in the same philosophical tribe as Walton Ford, A...

This original abstract oil and metal foil on board painting titled Warlock by George Cecil Carter (1908-1987) dates back to the 1950s. The piece is a striking example of Abstract Expressionism, painted in dynamic shades of dark blue, gray, white, orange, and purple. The artist's use of textured metal foil and oil paint creates an intriguing interplay of light and shadow, enhancing the piece's modernist appeal. Signed by Carter in the lower right corner, and titled and dated on the verso, this unique work is presented in its original George Nix frame, measuring 30 ¾ x 36 ¾ inches, with the image size itself measuring 23 ¼ x 29 ¼ inches. About the Artist: George Cecil Carter was born in 1908 in Woodward, Oklahoma, and became a prominent figure in the Colorado Abstract Expressionist scene. Despite having no formal artistic training, Carter developed a distinctive style, influenced by his diverse life experiences. He worked in various industries, including as a coal miner, gold miner, and machinist at Schneebeck's Industries in Colorado Springs for 20 years. During this time, Carter honed his artistic skills under the mentorship of Charles Bunnell, a painter from the Broadmoor Academy. Carter’s works reflect the boldness and emotional intensity of Abstract Expressionism, with vivid colors and strong compositions. He worked primarily out of Colorado Springs and Canon City, Colorado, and exhibited his art nationally, including shows in Texas and Illinois. His contemporaries included fellow Colorado artists such as Al Wynne, Mary Chenoweth...