Edward H. Niemann

View of an Aquaduct and a Castle. Richmond, Yorkshire

Lauritz Holst Exhibited 1878 - 1926 Picture Size: 16.5 x 29" (41.25 x 72.5cm) Outside Frame Size: 22.5 x 35" (56.25 x 87.5cm) He was born in Bogense, Denmark in 1848 Holst was a m...

Octavius Thomas CLARK Oil on canvas Picture Size: 24 x 42" (60 x 105cm) Outside Frame Size: 32 x 50" (80 x 125cm) Signed bottom left An impressive example of O. T. Clark's work. Su...

D. GRIFFIN This is a pseudonym of George Armfield. Picture Size: 14 x 18" (36 x 46cm Outside Frame Size: 21 x 25" (54 x 64cm) Signed and dated bottom left Free Shipping He was bor...

William Frank CALDERON Signed and dated 1891 oil painting. A beautifully painted painting of a racing horse with its companion pony used to keep it calm and not lonely. Picture Size:...

Victorian Marine Oil Painting of Sunset Scene with Shipping and Row Boats returning to Shore at the end of the day. A beautiful small framed Oil on Panel that is framed in a handmad...

This idyllic late 19th-century oil painting by English artist Edward William Cooke RA (1811-1880) depicts a west-country cove with two cottages, donkeys, figures, and fishing boats. Cooke was a highly renowned painter of marine scenes and landscapes who exhibited extensively at London’s Royal Academy. From our elevated vantage point, the view extends between two quaint cottages and across the beach before sweeping around the sandy coastline. Crystalline waters lap the shore, where moored craft rest. It’s an accomplished rendering of a challenging composition. It’s enhanced by trees, which essentially ‘frame’ the right side, while a wooded track provides interest on the left. Cooke was a keen admirer of the Dutch old masters, and the spirit of the Golden Age underpins this splendid work. In diaries, he recorded how he travelled by donkey to access elevated spots in the southwest, so it’s conceivable that he did so here. In his catalogue raisonné, it lists a work from the same year titled ‘Bay with Donkeys’. Born in Pentonville, London, Cooke was raised in the company of accomplished artists as both his father, George Cooke (1781-1834), and his uncle, William Bernard Cooke (1778-1855), were engravers. As such, they were associated with a circle of Victorian painters who aided Cooke’s early development. These included the highly regarded marine painter Clarkson Frederick Stanfield RA RBA (1793-1867), who provided frequent advice and inspiration. Indeed, as a teenager, Cooke produced numerous drawings after Stanfield’s works. A precocious talent, by the age of nine, he was already displaying an advanced understanding of engraving, particularly for ships, coupled with a natural, seemingly in-built skill as a draughtsman. Many of his early drawings depict pastoral landscapes after the masters, such as Nicolaes Berchem (1620-1683), Paulus Potter (1625-1654), and Karel Dujardin (1626-1678). In an extraordinary turn of events, in 1820, his advanced abilities led to his first commission when he provided botanical illustrations for John Loudon's 'Encyclopaedia of Plants’. These were followed by drawings published in the 'Botanical Cabinet...

This fine mid-19th-century oil painting by British artist Thomas Sidney Cooper RA (1803-1902) depicts two cows and a sheep in a landscape. Cooper was a distinguished painter of the n...

This charming mid-19th-century oil painting attributed to English artist William Traies (1789-1872) depicts a picturesque river view with cascade, figures and cattle. Traies was an a...