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Adam Gunn
Bottle Garden

2016

$1,800
£1,382.32
€1,584.12
CA$2,533.96
A$2,838.59
CHF 1,476.42
MX$34,624.94
NOK 18,796.78
SEK 17,724.03
DKK 11,823.47

About the Item

My painting practice began with subverting the idea of a still life to create an absurd experience where the presence of carefully observed and exaggerated absurd forms painted from life would create a potent experience of uncertainty. My newer work has been expanding on this process to include painting from imagination and real forms – the spaces depicted have become more indeterminate and the forms are suggestive of organic processes. I’m attracted to the unpredictable process that creates the forms I’ve used as reference and I’ve also began painting in a less planned manner, improvising with paint in a way that compliments that aspect of the painted subject matter. I want a balance between improvisation and planning in both the subject matter and the process of making – it reminds me of what living is like and of how reality creates through natural processes like evolution that build on chance mutations.
  • Creator:
    Adam Gunn (1977, Canadian)
  • Creation Year:
    2016
  • Dimensions:
    Height: 24 in (60.96 cm)Width: 36 in (91.44 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Montreal, CA
  • Reference Number:
    1stDibs: LU4763825941

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Garden of Earthly Remains
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In his book Now or Never naturalist Tim Flannery describes a vision of a world with a dead purple ocean and a poisonous green sky. This is a world where warming has melted the ice ca...
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Near and Far
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Located in Montreal, Quebec
My painting practice began with subverting the idea of a still life to create an absurd experience where the presence of carefully observed and exaggerated absurd forms painted from ...
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2010s Contemporary Figurative Paintings

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Oil, Wood Panel

Kicking Things Up
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Located in Montreal, Quebec
Messages in a Bottle Text by Cameron Skene “Metaphysics is a dark ocean without shores or lighthouse, strewn with many a philosophic wreck.” - Immanuel Kant A recent online story i...
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2010s Abstract Abstract Paintings

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Oil, Wood Panel

Ruin value (second version)
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In his book Now or Never naturalist Tim Flannery describes a vision of a world with a dead purple ocean and a poisonous green sky. This is a world where warming has melted the ice caps and slowed down the circulation of the oceans so that they have become like a gigantic stagnant pond. This still oxygen depleted water will allow the proliferation of anoxygenic bacteria that will change the chemistry of the ocean making it poisonous to oxygen dependant life. These bacteria will also release hydrogen sulfide into the atmosphere causing a mass extinction of animal and plant life on land. This stark yet colourful world will be sublimely beautiful, but there will be no one around to see it. This series of paintings depicts an imagining of our world after the catastrophic consequences of climate change through a reinterpretation of well-known images with a romantic sensibility towards nature. Romanticism was in part a reaction to the industrial revolution marked by a nostalgia for an untouched natural world and a reverence for its overwhelming power. Ironically the spread and continuation of that industrialism is predicted to set in motion a new version of nature that will completely overpower the human world as we know it. With these thoughts in mind, I’ve sourced some paintings associated with the romantic movement and removed the human figures from them – the only evidence of people are the decaying ruins left behind in this uncanny green and purple landscape. I’ve also referenced some photographs from the Apollo moon missions that are thought to have influenced the beginning of modern environmental awareness. The starting point for this series of paintings was Arnold Böcklin’s Isle of the Dead...
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A Place Where Nothing Ever Happens
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Adam Gunn’s painting practice began with a desire to subvert the traditional still life genre, creating an absurd experience that would evoke a sense of uncertainty in the viewer. In...
Category

2010s Contemporary Figurative Paintings

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