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Adam MysockA Brush With Justice2018
2018
$3,500
£2,687.85
€3,080.24
CA$4,927.14
A$5,519.48
CHF 2,870.82
MX$67,326.27
NOK 36,549.30
SEK 34,463.39
DKK 22,990.09
About the Item
From Nicholas Poussin’s The Death of Sapphira, circa 1652
Sooner or later, we get caught lying. For most of us, it’s incredibly early in life, and the falsehood detected is innocuous. We’re scolded, briefly punished, and then allowed to go about our day. This happens with some regularity until our authorities trust in our awareness of morality.
It’s not always entirely clear whether or not a child has truly learned any distinction between right and wrong or whether they’ve just begun to understand the tolerance of certain authorities for lying. Maybe grandma and grandpa will let me get away with something mom and dad won’t. Very early, we learn to play to the crowd, to feel out an audience’s tolerance for bullshit and to stay just shy of that.
- Creator:Adam Mysock (1983, American)
- Creation Year:2018
- Dimensions:Height: 2.375 in (6.04 cm)Diameter: 2.375 in (6.04 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New Orleans, LA
- Reference Number:1stDibs: LU10523513172
Adam Mysock
Adam Mysock holds a BFA degree in Painting and Art History from Tulane University and an MFA from Southern Illinois University at Carbondale. In collaboration with his studio practice, he has taught at the university level for more than 10 years, most recently as a Senior Professor of Practice at Tulane University in New Orleans, Louisiana.
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View AllA Reliable Pardon
By Adam Mysock
Located in New Orleans, LA
From Nicholas Poussin’s The Death of Sapphira, circa 1652
As we invariably test the waters of lying, we quickly learn to recognize the more forgiving...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Varnish, Acrylic, Wood Panel
A Lack of Consequence
By Adam Mysock
Located in New Orleans, LA
From Rembrandt van Rijn’s Militia Company of District II under the Command of Captain Frans Banninck Cocq (The Night Watch), 1642
Forgive and forget. That’s what we’re taught to do ...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Varnish, Acrylic, Wood Panel
An Opportunity to Test
By Adam Mysock
Located in New Orleans, LA
From Thomas Eakins’ Portrait of Dr. Samuel D. Gross (The Gross Clinic), 1875
Knowing what we do about insufficient consequences, we will always test the limits of acceptable lying. ...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Varnish, Acrylic, Wood Panel
An Attempt at Morality
By Adam Mysock
Located in New Orleans, LA
From Albrecht Dürer’s Adam and Eve, 1507
Akin to the historical narratives we’re fed in an attempt to steer us away from a life of lies, the narrative of Adam, Eve, and the serpent ...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Varnish, Acrylic, Wood Panel
A Bit Too Far
By Adam Mysock
Located in New Orleans, LA
From Thomas Eakins’ Portrait of Dr. Samuel D. Gross (The Gross Clinic), 1875
As we seek this fine line separating safe lying from detrimental misdirection, we often have to cross it...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Varnish, Acrylic, Wood Panel
A Horrifying Self-Actualization
By Adam Mysock
Located in New Orleans, LA
From Thomas Eakins’ Portrait of Dr. Samuel D. Gross (The Gross Clinic), 1875
At some point the lying has to stop, right? But when? I’m no longer convinced that any external stimulus...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Varnish, Acrylic, Wood Panel
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