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Adolphe Monticelli
Les Baigneuses - Impressionist Oil, Figures in Landscape by Adolphe Monticelli

c.1876

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  • Bord De Mer - Impressionist Coastal Landscape Oil Painting by Willy Schlobach
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    Signed and dated pointillist landscape oil on canvas by Belgian impressionist painter Willy Schlobach. The piece depicts a coastal view looking out over the dark green sea to where it meets the powder blue sky on the distant horizon, with rock formations on either side. This work was executed in 1907 - the definitive mature period for Schlobach's work. Paintings by the artist executed between 1906 and 1908 are the pinnacle of his oeuvre and show the influence and ideas of neo impressionism brought by his friend and compatriot Theo van Rysselberghe who had learnt from Signac and Seurat in Paris. Schlobach painted numerous coastal views in this period which display a free approach to pointillism with theory being displaced by a desire to create luminosity and effect. Signature: Signed lower right and dated 1907 Dimensions: Framed: 29"x33" Unframed: 20"x24" Provenance: Private French collection Further information: This work was executed in 1907 - the definitive mature period for Schlobach's work. Paintings by the artist executed between 1906 and 1908 are the pinnacle of his oeuvre and show the influence and ideas of neo impressionism brought by his friend and compatriot Theo van Rysselberghe who had learnt from Signac and Seurat in Paris. Schlobach painted numerous coastal views in this period which display a free approach to pointillism with theory being displaced by a desire to create luminosity and effect. Willy Schlobach first studied at the Academy in Brussels and then later in Ghent. At the precocious age of nineteen he was already at the forefront of painters in Belgium numbering among his close friends Emile Verhaeren and Theo van Rysselberghe whose instructive influence on him was of great significance. He was one of the founding members of the group 'Les XX' who were broadly speaking avant-garde and influenced by the Parisian developments in painting but by no means uniform in their style or approach (see also have lots 201 and 233). Octave Maus, a lawyer and critic was the driving force behind 'Les XX' but the most important painter was Theo van Rysselberghe. Van Rysselberghe had lived and worked in Paris and brought to Belgium an intimate knowledge and understanding of the Neo-Impressionist techniques of Seurat and Signac which were to be a great influence on the younger generation of Belgian painters such as Willy Finch and Willy Schlobach. In the late 1880s Schlobach responded with enthusiasm to these new ideas emanating from Paris and produced some well structured and highly organised pointillist work in which his favoured subject matter was coastal scenes. Schlobach was also influenced by the other main group within 'Les XX' which was best represented by Fernand Khnopff. As well as working in a pointillist manner he produced paintings full of symbolism and reminiscent of the Pre-Raphaelites whose work he had studied and admired on visits to England. It is, however, in the neo-impressionist or luminist work that Schlobach found greater freedom of expression away from the sometimes claustrophobic subject matter of the symbolists. On his visits to London Schlobach had been influenced not only by the Pre-Raphaelite painters but also by the work of Turner whose atmospheric and misty paintings...
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  • Quai des bouquinistes- Impressionist Figures in Landscape Oil - Jules Rene Herve
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    Signed figures in cityscape oil on original canvas circa 1950 by French impressionist painter Jules Rene Herve. The piece depicts a view of a bookseller's stall beside the River Seine in Paris, France, with blossom trees overhead. Signature: Signed lower left & again verso Dimensions: Framed: 21"x24" Unframed: 13"x16" Provenance: The Dominion Gallery - Montreal - Canada Jules Rene Hervé began his formal art studies in an evening school in Langres, France. Hervé was trained at the Ecole nationale supérieure d’arts decoratifs of Paris, and studied with Fernand Cormon and Jules Adler...
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  • Donkey Rides - Impressionist Figures in Landscape Oil by Jules Rene Herve
    By Jules René Hervé
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    Signed figures and animals in cityscape oil on canvas circa 1940 by French impressionist painter Jules Rene Herve. This large piece depicts a view of Paris on a bright summer's day. Children enjoy donkey rides in the shade of the green trees and there is a view of the Champs-Elysees. Signature: Signed lower left & again verso Dimensions: Framed: 40"x48" Unframed: 32"x40" Provenance: Private UK collection Jules Rene Hervé began his formal art studies in an evening school in Langres, France. Hervé was trained at the Ecole nationale supérieure d’arts decoratifs of Paris, and studied with Fernand Cormon and Jules Adler...
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  • La Madeleine – Le Soir Impressionist Cityscape Oil Painting by Edouard Cortes
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    Signed figures in landscape circa 1950 by French impressionist painter Eduoard Cortes. The work depicts a view of La Madaleine, a Catholic parish church situated on Place de la Madel...
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  • Orientalist Beach Scene, Chenoua Plage, Algerie, Oil On Canvas.
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    An Orientalist beach scene of the coast of Algeria at Chenoua by French painter Gustave Lino. The painting is signed, located and dated bottom left. Presented in a plain gilt frame. A charming and atmospheric view of a day at the beach. The revellers are enjoying bathing in the Mediterranean, resting under their colourful parasols against the sun and exploring the far off rocks of the cove. The sea gently lapping against the rocks at the shore. A small row boat ready for an excursion. Lino has beautifully captured the feeling of joy and fun that a day at the beach brings. Gustave Lino was born in 1893 in Mulhouse, France. At the age of twenty, he went to Marseille, discovered Provence and the Mediterranean. He was already interested in painting and art from numerous visits to the museum of his hometown, but he had not yet followed any training in this field. In Marseille, far from home and idle, he decides, almost on a whim, to travel to Algiers, without really knowing what he will discover there. He embarked for Algiers at the age of 19 in 1912. He exhibited with his friends Romeo Charles Aglietti in 1914 at 'Herero' in Algiers. Unfortunately in 1914 in Corsica in Ajaccio, being of German nationality and Mulhouse being part of the German Empire since 1871, he was interned as a 'civilian'. He spent the First World War in the Isle of Beauty but spent his time wisely developing his artistic skills. He realised many paintings as well as the historical decorations of the Solferino Hotel in Ajaccio and the religious decorations of the castle of Malaspena-Massa in Belgodère. In December 1918, he returned to Algiers where he was a pupil of Georges-Antoine Rochegrosse. He exhibited at the Salon des Artistes Français from 1926 and at the Danton gallery, rue La Boétie in 1927. He settled permanently in Algiers and then in Bou-Saada. Back in Algeria, he took a close interest in the painting of Albert Marquet, which particularly seduced him and with whom he became a close friend. The transparent sharpness, this harmony of lines and tones becomes his ideal of perfection. He specialised in Algerian seascapes and landscapes, a colourist above all. Becoming an adopted member of the group called "Painters of Poetic Reality" (with Jean...
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