Albert L. Dorne

The Magic that Changes Moods, Wurlitzer Advertisement

Medium: Watercolor on Canvas Signature: Signed Lower Left Sight Size 11.75" x 14.00," Framed 25.50" x 27.00" Framed under glass.

Story illustration for “Appearance and Reality” by W. Somerset Maugham, published in Cosmopolitan, November 1934, pages 22-23. Described as "A masterfully witty story of manners and...

Chef in the kitchen cooking. William Reusswig was a fine illustrator, and married to an equally fine one, Martha Sawyers. They traveled the world together and, in collaboration, wrote and illustrated two books about the Far East, published by Grosset & Dunlap in 1961 and 1964. They worked out of a New York apartment with two studios, where each could pursue their individual assignments. William was born in Somerville, New Jersey; he studied at Amherst College and the Art Students League in New York. He was only twenty-three when he made his first illustrations for Collier’s, and then illustrated for most national fiction magazines, including Cosmopolitan, True, Redbook, The Saturday Evening Post, McCall’s, The Country Gentleman...

Date: 1949 Medium: Oil on Canvas Dimensions: 30.00" x 30.00" Signature: Signed Lower Right Advertisement for Maxwell House Coffee, "The Quartet, The Dog...

An illustrator for Time, Life, Look, True, True West, Saturday Evening Post, Good Housekeeping, Readers Digest, and others, he also painted for adverti...

"High School Dance" WPA Mid-20th Century Modern American Scene Social Realism Heusing (20th Century) "High School Dance" 27 x 32 inches Oil on canvas Signed and dated '47 Lower Righ...

Signed lower left: Seymour Ball Inscribed upper left: To Morris E Weiss with best wishes Seymour Ball" Matted not framed

Only Ballantine Ale Brews "Brewer's Gold," ad illustration appeared in the major magazines of the day. A magic moment is caught at a peak point of drama. It's the instant of friends having fun. A cold beer from the fridge is offered and it's is acknowledged with a head nod. The woman in the foreground covers her giggling face reacting to a funny comment. The decisive moment is preserved. Sounds like a critique of an art photograph? No, it's an illustrator. This ingenious Infiniti "S" composition simultaneously represents the best of photography and painting. Cartier-Bresson could have captured the precise moment. While Nicolas Poussin could have rendered the complex figural composition. Add to it , a painting technique and color scheme with the quick drama of a post-impressionist. We have a great work of art by an overlooked American illustrator/artist/painter, Mike Ludlow...