Aldo Cherres

Unidentified Humans V, Painting, Oil on Canvas

2019

My art practice fuses historical painting techniques and digital technology. Each painting is composed of fragments of photographs from a variety of sources which are compiled in pho...

Many cultures imbue ravens with meaning. In Thought and Memory , I reference the Norse god Odin, who daily sent his two ravens into the world to gat...

This painting started out as an acrylic sketch, but I enhanced it with oil paint, trying to keep it loose and sunny. I have many pictures of this bus stop, the one right across from ...

This painting started as an acrylic sketch, but I enhanced it with oils. I have many pictures of this stop with different people. On cotton canvas stretched over pine boards, can be ...

DANNY GALIEOTE Beach Bun Oil on Canvas 16 x 12 inches 18.5 x 14.5 inches, Framed Danny Galieote has a propensity for capturing the quintessentials of Americana in works that blend ...

"Profile in Red" Figurative Oil Painting 16" x 26" inch by Ashraf Zamzami ABOUT Ashraf El Zamzami was a graduate of the Academy of Fine Arts in Minya, and he fast made a name for h...

"Corniche by Night" Landscape Oil Painting 20" x 24" inch by Mohamed Abla Mohamed Abla was born in Mansoura (North of Egypt) in 1953. There he spent his childhood and finished schoo...

Signed lower left Elizabeth Higgins (Canadian, b. 1960) Elizabeth Higgins describes herself as an abstract figurative and landscape painter. Everything around her serves as a potential subject, an inspiration to begin a painting. Fidelity to the landscape, the figure, or the still life is relative, as she isn’t interested in literal depictions; instead, it’s the abstract relationships of these shapes and colors, the abstract pictorial design that drives her work. Higgins’ paintings are rooted in the tradition stemming from Courbet, Derain, Bonnard, Matisse, Morandi, German Expressionism, and the Canadian Group of Seven (also known as the Algonquin School of landscape painters, 1920–1933). She is influenced by the work of her artist-teachers Paul Resika—himself a student of Hans Hofmann—and Robert De Niro, Sr. (1922-1993), as well as the paintings of contemporary artist Peter Doig. Her artistic evolution stretches across this continuum. It is the “in-between”, the hovering between representation and abstraction, that interests her, not the labeling effect of details; instead, she aims directly at the spirit of the painting—of making something come to life. John Goodrich wrote in her catalog essay, “Elizabeth Higgins’ direct brushwork and simplified forms suggest an energy, but crucially, reveal a painter who knows the power of color…” Elizabeth Higgins was born in Toronto, Canada, in 1960. As a Helena...