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Alexis DuqueThe Musician, Large Lating American Modernist Oil Paintng2001
2001
$6,100
£4,605.02
€5,314.76
CA$8,607.24
A$9,591.33
CHF 4,994.36
MX$115,753.66
NOK 62,615.93
SEK 59,164
DKK 39,672.67
About the Item
Alexis Duque
Imaginatively charting the psychological experience of space, Alexis Duque produces paintings and drawings of buildings and domestic interiors stacked and conglomerated into trippy, absurd mounds and towers. His compositions are detailed, highly organized, and meticulously architectural. With a psychedelic precision reminiscent of M.C. Escher’s, Duque uses perspectival tricks and surrealistic overlapping to render dozens of skyscrapers as a single red tower; or homes, living rooms, train tracks, and alleys as a mass on the verge of collapsing into itself like a black hole. The wheeling bird’s-eye view that he often employs recalls the Italian Futurists’ soaring imagery of cities as seen from airplanes. Through his playful stacking and piling, he reorders cities to examine the formal properties of their architecture. Alexis Duque holds a Bachelor of Fine Arts from The University of Antioquia, Colombia. His work has been exhibited in numerous venues including: at El Museo del Barrio, The Drawing Center and Praxis International Gallery in New York; The Museum of Latin American Art (MOLAA), Long Beach, CA; Champion Contemporary, Austin, TX; The Alden B. Dow Museum of Science and Art, Midland, MI; RudolfV Gallery, Amsterdam, Netherlands and Galleri Oxholm in Copenhagen, Denmark. Duque’s work has been featured in several publications, including: "Imagine Architecture: Artistic Visions Of The Urban Realm”, “Caribbean: Together Apart Contemporary Artists from (part of) the Caribbean" Imago Mundi - Luciano Benetton, Blue Canvas Magazine, LandEscape Art review, Beautiful Decay, Artistaday, New American Paintings, Studio Visit Magazine, The East Hampton Star, The East Hampton Press and El Diario of New York. Duque currently lives and works in NYC. Less
Education:
B.F.A, University of Antioquia, Colombia, 1995
Exhibitions:
SOLO EXHIBITIONS
•Onloaded: Alexis Duque, curated by Ted G. Decker. Phoenix Institute of Contemporary Art (phICA), Phoenix, AZ, February 20 – March 15, 2015
•Metropolis, Praxis Gallery, New York, NY, September 13- October 20, 2012
•Babel, Praxis Gallery, Miami, FL, September 12 – October 15, 2009
•El Dorado, Praxis Gallery, New York, NY, February 5th – March 12, 2009
SELECTED GROUP EXHIBITIONS
2016
"ARTPRIZE 2016", GRCC Collins Art gallery, Grand Rapids, MI, September 21th to October 9th 2016.
"Paradise in the City" Local Project Art Space, New York, July 14th to August 6th, 2016.
“Shaky Ground” Curated by Dominick Lombardi at Lesley Heller Workspace, New York, NY
"Exquisite Porch" Curated by Dominick Lombardi, Morean Arts Center, St Petersburg, Florida
"The Bronx Speaks: Our Home" Curated by Sarah Corona and presented by the Bronx Arts Alliance in conjunction with New York Armory Arts Week 2016, BronxArtSpace and Andrew Freedman Home, New York.
"Hashtags Unplugged" Caelum Gallery, Chelsea, New York.
2015
“Starting Small” curated by Danielle Gregga, Central Booking Art Gallery, New York, NY
"Map of the New Art" Imago Mundi - Luciano Benetton Collection. Fondazione Giorgio Cini, Island Of San Giorgio Maggiore, Venice, Italy.
2014
"Geometrical Abstraction in New York, A Fresh Look" Curated by Anne Cecile Surga, Sammer Gallery,
New York.
"Concrete Muse" Curated by Krista Saunders, The Dumbo Arts Festival, Brooklyn, NY.
"Global Perspective" a group exhibition held at two New York Locations: Elisa Contemporary Art in
Riverdale, NY and The Eugénia Au Kim Design Studio in Bridgehampton, NY.
"A Creative Oasis" Curated by Ted Decker and organized by phICA-Phoenix Institute of Contemporary
Art, The City Hall of Phoenix, Arizona
"A Different Kind of HOME/SHOW" Curated by Kathy Zeiger, DODDS & EDER HOME, Sag Harbor, NY
"Structured Spaces" Elisa Contemporary Art, Riverdale, NY
"Espora Project" Organized by Masquelibros, (ICP) International Center of Photography Library and Museum
Bookstore, New York, NY
2013
"Sommerudstilling ’13" at Galleri Oxholm, Copenhagen, Denmark
"For Which it Stands" The Lodge gallery, New York, NY
“About Face: New Portraiture Now” Ground Floor Gallery, Brooklyn, NY
“Black Beans/Liquid Gold” Galerie R3I, Berlin, Germany
"Immigrant Too" curated by Gabriel de Guzman at NOMAA, NY
"A House Full of Friends" Curated by Turid Meeker and David Gibson at NOoSPHERE, New York, NY
"Paintings" Galleri Oxholm", Copenhagen, Denmark
"The Architecture of an Idea: Illustrations and concepts", The Alden B.Dow Museum of Science and Art,
Midland, MI.
2012
“Masquelibros” Organized by Tríplica Equipo and the UNED, Madrid, Spain.
“Blind Reproduction” A Gathering of the Tribes, New York, NY
“Puebla Ciudad Mural” Mural Project, Puebla, Mexico.
2011
"El Museo's Bienal: The(S)Files 2011" El Museo del Barrio, New York, NY
"Cluster" AG Gallery, Brooklyn, NY
“Illustrious” Guga Galleries, Newark, NJ
“EastXWestXHarlem” Floor4Art Gallery, New York, NY
2010
“Around the Way” Curated by Rocio Aranda Alvarado and Trinidad Fombella and
organized by Macy’s and El Museo del Barrio, NY
“Interrupted Landscapes” Champion Contemporary, Austin, TX
“Weaving in and Out” No Longer Empty, New York, NY
“Super Cluster” Praxis Gallery, Miami, FL
"Curate NYC" Rush Arts, New York, NY
- Creator:
- Creation Year:2001
- Dimensions:Height: 33.75 in (85.73 cm)Width: 21.75 in (55.25 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Measurements include frame.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38211707822
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His style is a unique conglomerate of tradition, history, legends, heroes, old customs and folklore. It is a self-standing style, recognizable, cheerful, whimsical and a happy creation. Naïve art is any form of visual art that is created by a person who lacks the formal education and training that a professional artist undergoes (in anatomy, art history, technique, perspective, ways of seeing). Unlike folk art, naïve art does not necessarily evince a distinct cultural context or tradition. Naïve art is recognized, and often imitated, for its childlike simplicity and frankness. Paintings of this kind typically have a flat rendering style with a rudimentary expression of perspective.
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This depicts a Jazz or Klezmer musician. This one is a bass player.
The last photo shows it in a group of three that I have available. This listing is for the one painting.
The artist Jovan Obican iconic style is child-like yet masterfully adult; a style that tells a story with sociological overtones. His funny little people are always colorful, full of spirit, living with music and birds to bring them happiness.
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Jovan Obican (1918-1986) artist, painter, sculpture and mosaic ceramic artisan was born in Cannes, France, to his Yugoslavian parents. From childhood on, Jovan practically devoted himself to art, scratching designs into the dirt when paper was unavailable. He trained with many recognized teachers and with many styles. He finished his training, imbued with the spirit of his native country, the people, their legends, and their philosophy. It has been said that his work has a "timeless quality" and a naive, folk art, outsider art brut quality, child-like primitive style. Obican is identified with his style the world over, a style that is simple yet sophisticated; child-like yet masterfully adult; a style that tells a story with psychological, philosophical or sociological overtones. His funny little people are always colorful, full of spirit, living with music and birds to bring them happiness. Best known for his depictions of folklore and traditional costumes rendered in a playful, childlike style and for his happy Jewish wedding scenes. He often used bright colors and black outlines in his renderings of figures and animals, giving his work an illustration-like quality. Thematically, the artist’s work is similar to Marc Chagall and Jean Dubuffet for its dreamlike images and so-called naïve style of painting. Over the course of his career, the artist maintained a studio in Boca Raton, Florida and Dubrovnik, Croatia—part of former Yugoslavia— where he developed an interest in Eastern Europe’s Jewish culture. Many of his mature works depict Jewish traditions and ceremonies, including traditional Jewish weddings, the dancing of the Hora, and traditional music. There is a display of his works in his former Dubrovnik studio.
His style is a unique conglomerate of tradition, history, legends, heroes, old customs and folklore. It is a self-standing style, recognizable, cheerful, whimsical and a happy creation. Naïve art is any form of visual art that is created by a person who lacks the formal education and training that a professional artist undergoes (in anatomy, art history, technique, perspective, ways of seeing). Unlike folk art, naïve art does not necessarily evince a distinct cultural context or tradition. Naïve art is recognized, and often imitated, for its childlike simplicity and frankness. Paintings of this kind typically have a flat rendering style with a rudimentary expression of perspective.
One particularly influential painter of "naïve art" was Henri Rousseau (1844–1910), a French Post-Impressionist who was discovered by Pablo Picasso. Naïve art is often seen as outsider art that is by someone without formal (or little) training or degree. While this was true before the twentieth century, there are now academies for naïve art. Naïve art is now a fully recognized art genre, represented in art galleries worldwide.
Museums devoted to naïve art now exist in Kecskemét, Hungary; Riga, Latvia; Jaen, Spain; Rio de Janeiro, Brasil; Vicq France and Paris. "Primitive art" is another term often applied to art by those without formal training, but is historically more often applied to work from certain cultures that have been judged socially or technologically "primitive" by Western academia, such as Native American, sub saharan African or Pacific Island art (see Tribal art). This is distinguished from the self-conscious, "primitive" inspired movement primitivism. Another term related to (but not completely synonymous with) naïve art is folk art. There also exist the terms "naïvism" and "primitivism" which are usually applied to professional painters working in the style of naïve art (like Paul Gauguin, Mikhail Larionov, Paul Klee).
At all events, naive art can be regarded as having occupied an "official" position in the annals of twentieth-century art since - at the very latest - the publication of the Der Blaue Reiter, an almanac in 1912. Wassily Kandinsky and Franz Marc, who brought out the almanac, presented 6 reproductions of paintings by le Douanier' Rousseau (Henri Rousseau), comparing them with other pictorial examples. However, most experts agree that the year that naive art was "discovered" was 1885, when the painter Paul Signac became aware of the talents of Henri Rousseau and set about organizing exhibitions of his work in a number of prestigious galleries. The Earth Group (Grupa Zemlja) were Croatian artists, architects and intellectuals active in Zagreb from 1929 to 1935. The group included the painters Krsto Hegedušić, Edo Kovačević, Omer Mujadžić, Kamilo Ružička, Ivan Tabaković, and Oton Postružnik, the sculptors Antun Augustinčić, Frano Kršinić, and the architect Drago Ibler. A term applied to Yugoslav (Croatian) naive painters working in or around the village of Hlebine, near the Hungarian border, from about 1930. Some of the best known naive artists are Dragan Gaži, Ivan Generalić, Josip Generalić, Krsto Hegedušić, Mijo Kovačić, Ivan Lacković-Croata, Franjo Mraz, Ivan Večenaj and Mirko Virius. Camille Bombois (1883–1970) Ferdinand Cheval, known as 'le facteur Cheval' (1836–1924) Henry Darger (1892–1973) L. S. Lowry (1887–1976) Grandma Moses, Anna Mary Robertson...
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