ALMO

Presence #4. From The Golden Ex-voto Series

2022

Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...

Almo wonders about his identity, the countries he has lived in, his daily routine and how he creates himself. An outsider who has made the world his home, skin, and citizenship, and ...

Almo wonders about his identity, the countries he has lived in, his daily routine and how he creates himself. An outsider who has made the world his home, skin, and citizenship, and ...

Almo wonders about his identity, the countries he has lived in, his daily routine and how he creates himself. An outsider who has made the world his home, skin, and citizenship, and ...

Acrylic paint on paper Hand-signed lower right « Here the barbaric or savage ceremonies of New Guinea take on the air of Rio carnival. Here the vitality bu...

Acrylic paint and ink on tracing paper Hand-signed and dated lower right

Acrylic paint on paper Hand-signed lower right « Here the barbaric or savage ceremonies of New Guinea take on the air of Rio carnival. Here the vitality bu...

Acrylic paint on paper Hand-signed lower right « Here the barbaric or savage ceremonies of New Guinea take on the air of Rio carnival. Here the vitality bursts and the colors dance the jig while thundering. A charivari of African masks, children's drawings and neon colors invades the meticulously meshed backdrops with volcanic overflows. It seems that within a kindergarten class, merry feathered wizards have joined together to cover the canvas or the paper with totemic figures strewn with the most inventively unexpected graffiti, in a creative frenzy so bubbling that the anarchy that threat recovers as in spite of itself a semblance of balance. The graphic design performs an enveloping and virtuoso dance that passes from the most wisely academic exercise to the most exuberant and Dionysian lyrical expressionism. It's flamboyant, paroxysmal and wonderfully joyful. Should we detect here any influence of the spirit of "outsider art", today widespread worldwide? Perhaps, but then it is undeniable that the personal temperament of Mohammad ARIYAEI...