Amanda Brown

Porch Guest

2023

After: The Death of Seneca by Manuel Domínguez Sánchez (1871) and Eaton's Neck, Long Island by John Frederick Kensett (1872) Painted as a response to the ongoing conversations about race and policing in the United States in 2020, Having Missed the Mark with Our Grief focuses on the problem of the “But what about…” conversations that too often accompany discussions about systemic racism and discrimination. From the nonsensical All Lives Matter crowd to the virtue-signaling of more well-meaning, empathetic groups, people outside of BIPOC communities too frequently seem ready to misdirect valuable attention away from meaningful change toward their own unthreatened subcultures. Having Missed the Mark with Our Grief presents a mourning white male pulled from The Death of Seneca hovering above the shore of Eaton’s Neck, far from an “X” drawn in the sand. The setting is simple and uncomplicated beyond the target on its shore. However, the forlorn figure draws the spotlight away from the marked terrain toward his dramatic presentation of suffering. ADAM MYSOCK was born in Cincinnati, Ohio in 1983 - the son of an elementary school English teacher and a lab technician who specialized in the manufacturing of pigments. On account of a steady stream of folk tales from his mother and his father’s vividly dyed work clothes, he developed an interest in narrative and representative painting from an early age. Mysock earned a Bachelor of Fine Arts degree in Painting and Art History in 2004 from Tulane University and an MFA from Southern Illinois University at Carbondale in 2007. After his studies, Mysock taught at the university level for nearly a decade, including as a Professor of Practice at Tulane University. In 2016, he and his family moved back to Cincinnati, where he currently serves as coordinator for Manifest Drawing Center. Mysock’s work has been exhibited throughout the country and is in private collections across the US, including the 21c Museum, Beth Rudin DeWoody, Ruslan Yusupov, Thomas Coleman and Michael...

A portrait of news anchor Brian Williams Similar to the regular fall of the Democrats, Brian Williams positioned himself as a figure worthy of our trust nightly. He convinced us tha...

This contemporary landscape painting of a tree was created by Peter Hoffer, respected in the international art world as a fine contemporary artist for his ethereal, atmospheric landscapes. Reminiscent of the great romanticists of the 19th century, Peter Hoffer’s landscapes are a blend of realism and impressionism. His series of tree ‘portraits’ imbues each tree with a distinct ‘personality’ accentuated by his process. Hoffer uses scratches, markings, paint drippings, and thick coats of resin to add character to each mixed media piece. The result is thoroughly modern. This horizontal landscape offers a commanding view of the surrounding countryside-verdant green fields and a turquoise blue sky. The viewer’s eye is drawn to the lone tree in the middle of the canvas captured at the height of the season in bright pinks. “A landscape is continually evolving. Its topography consists of repetitive gestures of surfacing, resurfacing, and erosion. Exposed to the elements, scarred by the wind and shifting soils, the landscape reveals its own narrative.” Peter Hoffer They are profound works from an artist with a clear vision.” Peter Simpson...

This figurative dog portrait titled "Afghan Hound I (Hindu Kush Mountains)" is an original artwork by Emily White made of acrylic paint on wood panel. This ...