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Anastasiia Grygorieva"The story of the Passage"2019
2019
About the Item
This diptych painting captures a nostalgic view of Kyiv’s main street, Khreshchatyk, as it appeared 100 years ago. The passage, which was destroyed during World War II, is reimagined with a focus on the lost beauty of the city, transporting the viewer to a time long gone. The work, consisting of two canvases (100x40 cm and 100x100 cm), together forms a cohesive composition measuring 100x140 cm. Created in 2019 using oil on canvas, it blends historical memory with artistic interpretation.
The painting is ready to hang with painted edges, signed on both the front and back, and comes with a certificate of authenticity.
- Creator:Anastasiia Grygorieva (1985, Ukrainian)
- Creation Year:2019
- Dimensions:Height: 39.38 in (100 cm)Width: 55.12 in (140 cm)Depth: 0.79 in (2 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Edinburgh, GB
- Reference Number:1stDibs: LU1987215315212
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Nugzar Avtandilovich Kahiani was born in Poti, Georgia in 1952. He studied at the Art College named after Nikoladze. Then he went to serve in the Soviet Army from1970 to 1972. After completing his military service he entered the Stieglitz St. Petersburg State Academy of Art and Industry at the faculty of artistic metal, from which he graduated in 1986. During his studies, he has been actively engaged in painting. His favorite artists are Gauguin, El Greco, Botticelli, Turner and Picasso.
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Born in the ancient Kolkhida, he keeps the blissful pagan feel of entirety and completeness of being. It is embodied almost literally in his favorite personage auroral gorgeous-bodied beauty of a girl. He grants these forms even to Olympian inhabitants - Aphrodite, Athene, Arthemide, let alone the Bacchants. I remember unwittingly that Niko Pirosmani similarly painted on his impoverished buckrams the luxurious prince repasts and languid, elephantine beauties.
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But his style is not bounded by grotesque parody, as well as the irony is not the only aspect of his world outlook. In his landscapes we can catch the ecstatic admiration with Nature. In contradistinction to his favorite impressionists, he never paints from nature and never bears in mind the particular place. It is just a blooming Earth, studied very closely, so that the trees are cut by the edges of the painting, and at the same time it is a bird’s eye view revealing infinite, boundless spaces. Nougzar says that the landscape for him is first of all a color ensemble. He can just leaf through the illustrated journal, nourishing his eye with color in various combinations, and so get the impulse to create a ‘physical’ landscape image. Probably, his landscapes are no less fantastical than his figure compositions, but such is his talent, his mission - to make the world more beautiful and gentle than it is in reality.
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