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Andrew S. Conklin
Duet II - Still Life with Guitar, Violin and Scantily Clad Woman, Oil on Linen

2020

$14,000
£10,457.33
€12,123.61
CA$19,438.65
A$21,788.22
CHF 11,344.49
MX$266,043.54
NOK 144,033.79
SEK 136,531.08
DKK 90,455.23
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About the Item

Sensual in it's style and subject matter, Andrew S. Conklin's still life "Duet II" explores the sexuality in both innate objects and the human form. The female figure is off to the side, giving the musical instruments a prominent place in the overall composition. The fluffed up pillows upon which the guitar has been laid bring a sensuousness to the music itself. We see the model's clothes strewn on the floor yet the male figure is fully clothed. Did he just interrupt a private moment? This rich interior scene is one that brings the viewer back time and time again. Andrew S. Conklin Duet II oil on linen 42h x 60w in 106.68h x 152.40w cm ACK030 Andrew S. Conklin Artist Statement—Motion Capture Studio Series Andrew S. Conklin, a native of Chicago, Illinois, is a figurative painter. Conklin's paintings are a product of his direct interaction with the figure model, unmediated by photography. While he uses the traditional techniques of the old masters in his painting practice, his recent series grows from a keen interest in the range of digital imaging approaches and the way they can alter perceptions of the body. In his Motion Capture Studio series, Conklin examines the spaces where computer technicians record human movement for video game characters. In this environment he sees both similarities and differences between traditional artist studios and the vanguard of image processing spaces. In paintings such as Motion Capture Studio 2, the female athletes in the left panel prepare to perform, while on the right panel, one figure is being fitted with tiny glass markers attached to her body, which will allow the technicians around her to record her movements. While stylistically his work fits into the tradition of figurative painting, he is interested in the notion of using an old method of depiction (painting) to show twenty-first century arenas where computers and artists “sculpt” the human form using only digital code. Being a contemporary figurative painter in a time when the proliferation of figurative images through photography, video or computer programs challenges the notions of depicting reality, Conklin believes images captured in oil painting connect us to the perennial. He builds tension between a virtual world and the traditional history of art, and opens a dialogue between the parts of ourselves that are changing and those that remain the same.
  • Creator:
    Andrew S. Conklin (1961, American)
  • Creation Year:
    2020
  • Dimensions:
    Height: 42 in (106.68 cm)Width: 60 in (152.4 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Framing:
    Framing Options Available
  • Condition:
  • Gallery Location:
    Chicago, IL
  • Reference Number:
    Seller: ACK0301stDibs: LU55436443782

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This classically painted nude model study demonstrates the artists understanding of the human figure. Surrounded by loosely painted lush fabrics, the model lies in a reclining position, her eyes closed, wearing only a pair of slippers. The quick, confident brush strokes in the background, combined with deft handling of paint in the figure combine to make this a painting for all time. Andrew S. Conklin Maureen Reclining oil on panel 10h x 14w in 14h x 18w in framed Andrew S. Conklin is a figurative painter. He holds an MFA from the Academy of Art University, and studied painting at the National Academy of Design in New York City with Harvey Dinnerstein...
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Kelsey Seated, Arm on Mac - Original Oil Painting, Study of a Dancer
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A study for a series of larger paintings based on motion capture studios, this painting combines classic technique with modern sensibility. Here the seated model leans against an antiquated iMac. Upon closer examination, the preparatory sketch lines are visible on the model's feet and her forearm. Unfinished works were first seen during the Renaissance with Masters such as Leonardo da Vinci, Michelangelo and Donatello. It became fashionable to leave works incomplete, so much so, that it became an aesthetic term 'non-finito'. Andrew S. Conklin Kelsey Seated, Arm with iMac oil on panel 12h x 17w in 30.48h x 43.18w cm ACK011 Motion Capture Paintings, Chicago My recent painting series describes the reality of motion capture environments by showing the interplay between female athletes and male technicians. These paintings are meant to explore conventions of female representation in Western figurative art and to contrast this past practice with the contemporary imagery of that subject via computer-based image technology. This project was instigated by a number of things: first, by my abiding interest in depicting the human form in paint, as I find its versatility in a design, its invitation to empathy, and its difficulty, to be something worth attempting to depict with success. In addition, my curiosity regarding the new ways to depict the form using electronic technology seem to challenge to the traditional methods I rely upon, and I wanted to comment on the similarities and differences between the studios of the painters and the technicians. In this way, I aim to continue my investigation into what I see as the contrasting quality of human nature, and symbolically represent opposites such as mind and body, analog and digital, realism and idealism, terrestrial and the transcendent. Andrew S. Conklin is a figurative painter. He holds an MFA from the Academy of Art University, and studied painting at the National Academy of Design in New York City with Harvey Dinnerstein...
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