Angel Rivas

LOVE NATURE

2024

Painting made by DarIa Kusto and Angel Rivas and signed by both Shipped rolled in a tube, without frame! 5cm/2" extra of white edge around the painting surface Can make commissione...

Painting made by DarIa Kusto and Angel Rivas and signed by both Shipped rolled in a tube, without frame! 5cm/2" extra of white edge around the painting surface Can make commissione...

Acrylic on canvas without frame Shipping from Spain

Painting made by DarIa Kusto and Angel Rivas and signed by both Shipped rolled in a tube, without frame! 5cm/2" extra of white edge around the painting surface Can make commissione...

Original and unique artwork by Hunt Slonem. A Certificate of Authenticity will be accompanied with this piece. About Hunt Slonem Inspired by nature and his 60 pet birds, Hunt Slonem...

Original and unique artwork by Hunt Slonem. Oil on wood Painting is framed, as seen in the images. Dimensions of the artwork with the frame: 45 x 39 cm Signed Verso, titled and date...

Original and unique artwork by Hunt Slonem. Oil on wood Painting is framed, as seen in the images. Dimensions of the artwork with the frame: 36.83 x 31.75 cm Signed Verso Please not...

Robert Azensky Fine Art is proud to offer this vintage figurative abstract of a Woman, Dog & Spring Flowers with Petroglyphs by Martha’s Vineyard artist Cindy Kane Absolutely stunning vintage large scale abstract expressionist painting titled "Bending Forward," by San Francisco and now Martha's Vineyard artist Cindy Kane (American, b. 1957). This unique monumental piece, created in 1987, has a netherworld primal quality depicting a petroglyph-like blonde woman and her animal spirit dog bending toward a flower-strewn earth. Additional petroglyph vignettes add mystery to narrative. Signed and dated "Kane '87" upper right. Unframed. Image size: 66.5"H x 84"W. Her early works were influenced by her memories of these hieroglyphs, and embellished with symbols from her dreams. “I hope [that viewers] get what I get from my work, which is enjoyment, visual satisfaction, and a story — whatever their own story is,” she said. “I can’t give them one, but I can tell my own, and the story they take with them is something personal.” Her early work was influenced by the experience of living and working at the bottom of the Grand Canyon National Park, where she had the opportunity to document Anasazi Indian pictographs in pen and ink drawings. These images would inform her work for years to come. While working in Grand Canyon National Park, she became familiar with the Anasazi Indian ruins...