Anthony Herbert

Profile Portrait Of A Man In Flat Cap Graphite On Brown Paper

Mid Century French Portrait Signed by Josine Vignon (French 1922-2022) Medium: Pencil/ charcoal on artists paper, double sided Size: 9 (height) x 7 (width) Stamped Verso Condition:...

Title: Charcoal Portrait of a Man in a Beret Artist: Josine Vignon (French 1922-2022) Medium: signed black charcoal on artists paper stuck on board, glass covered Size: 7.5 (heigh...

Mid Century French Portrait Signed Josine Vignon (French 1922-2022) Medium: Pencil/ charcoal on artists paper, double sided Size: 9 (height) x 7 (width) Stamped Verso Condition: Goo...

Portrait of a French man in beret/ cap French artist, circa 1930's oil on canvas, unframed canvas: 16 x 13 inches provenance: private collection, France condition: very good and soun...

Julius Thiengen Bloch (American, born Germany, 1888–1966) Profile Portrait Crayon on paper, 5 x 3 1/4 inches FRAMED: 13 1/2 x 12 inches (approx.) This sketch comes directly from th...

Julius Thiengen Bloch (American, born Germany, 1888–1966) Man with Mustache and Hat Crayon on paper, 6 x 4 1/2 inches FRAMED: 12 x 11 inches (approx.) Si...

Work on paper Golden wooden frame with glass pane 82 x 61.4 x 3.5 cm

Jules-Eugène Lenepveu (1819-1898) Portrait of a man in profile signed on the lower right Pencil and heightenings of white gouache on paper 19.5 x 13 cm Framed : 29 x 22.7 cm Jules-Eugène Lenepveu is of course particularly well known for his large-scale paintings, such as the one on the ceiling of the Paris Opera, but his work here is much more delicate and intimate. We recognise the artist's mastery of talent, but the play of textures, with its highlights of white that enliven and illuminate the model's face, is also very subtle. There's a particularly charming sense of life and impression of light. Jules-Eugène Lenepveu was born in Angers on 12 December 1819, on the site of the street that now bears his name, into a family of small shopkeepers. The painter showed a deep attachment to his family throughout his life through his correspondence and the many portraits of his relatives. He entered the drawing school in Angers in 1833, where he was a pupil of Jean-Michel Mercier. There he rubbed shoulders with the sculptor Ferdinand Taluet. He arrived in Paris in 1837 and entered the Beaux-Arts, where he was officially admitted to François-Édouard Picot's studio in 1838. He exhibited his work "L'Idylle" at the Salon of 1843 and, that same year, left for his first visit to Italy. He was awarded the Second Prix de Rome in 1843 for "Cincinnatus recevant les députés du Sénat" (Cincinnatus receiving the deputies of the Senate), then the First Prize in 1847 for "La Mort de Vitellius" (The Death of Vitellius). A resident at the Villa Médicis from 1848, he was surrounded by painters Alexandre Cabanel, Léon Benouville, Gustave Boulanger, Félix Barrias...