Anthony Palliser
Shot

$20,800

£15,568.49

€17,989.58

CA$28,842.66

A$32,307.49

CHF 16,796.30

MX$398,932.51

NOK 213,971.70

SEK 202,276.95

DKK 134,248.06

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About the Item

Anthony Palliser was born in 1949 of an English father and a Belgian mother. He studied at Downside school and graduated from New College Oxford. In 1967 he attended the Academy of Fine Arts in Rome. In 1970 he settled in Paris where he still lives and works. From 1995 to 1997 he taught as visiting professor at the New York School of Visual Arts in Savannah, Georgia. He remains a frequent visitor to Savannah and Charleston, SC. where the unique landscapes of the low-country remain a constant source of inspiration. To date he has had 28 one-man exhibitions and countless group shows all over Europe and the USA. His acclaimed 1996 show “Performers” at Lincoln Center in New York showed his enthusiasm for the theatre and cinema. His well-known portrait of Graham Greene hangs in the National Portrait Gallery in London and that of Paddy Ashdown in the House of Commons. He has also recently completed portraits of Marianne Faithful, the poets Seamus Heaney and Derek Mahon, directors James Ivory and John Boorman and is presently working on portraits of Pierce Brosnan and Edna O’Brien. For the last few years he has embarked on a series of very large paintings of heads. He has asked friends to pose, chosen as much for the diversity of their physical appearance as for the emotion they convey. Some are well-known, others not. The scale (162 x 130cms) allows for a much looser approach pictorially, the ambition being to abandon portraiture as such and be left with painting. A book of Palliser’s collected works published by Editions du Regard in France came out in February 2005. To coincide with its publication, an exhibition of thirteen “Large Heads” was held at the Ricard Foundation in Paris. A one-man show was held from October 2008 to January 2009 at the Jepson Center for the Arts , the contemporary wing of the Telfair museum in Savannah, GA. In the autumn of 2012, three “Large Heads” were part of the inaugural exhibition of ELEPHANT PANAME in Paris.. “Many of Palliser’s still lives are like no other still lives I can recall…I have the impression that a portrait by him will seldom be merely a portrait- it will be a painting that contains a portrait.” Graham Greene “There is a feeling for sacred objects in Anthony Palliser’s paintings which shows in his portraits and figure studies as well as in still lives.” Stephen Spender “The model who searches the artist’s creation for the unfathomable secret of the self is toying with inner peril. Palliser’s portrait is a penetrating glance at the heart of that secret.” James Lord “The ambition of painting Thought is probably as vain an enterprise as the aspiration to paint Time, but when Anthony Palliser decided to throw open the shutters of his atelier and leave it in the safekeeping of his beautifully-realised human and material objects, he found an obliging accomplice in the wrinkles of Nature and the necessary, criss-crossing place of humans…within those elusive folds of earth and sky.” Christopher Hitchens “Palliser’s paintings are given to a sensual, erotic romanticism unlike much of our contemporary painting, British or otherwise. It is not so much that he has kept himself from the various streams and contemporary currents of painting in the past two decades but that he has kept with a kind of aesthetic faith whose tenets suppose a belief in the materiality of mysteries.” Frederic Tuten “We do not need to know anything about any of the people Palliser paints in order to understand their essential humanity, to divine the spirit within them. Palliser has created a cumulative “portrait” of the living planet around him, its geographic surfaces as well as its inhabitants, its wide habits and varied habitants, rather than portraits of just individual images, specific faces.” Adrian Dannatt “The portrait is disappearing now, wrote Yves Bonnnefoy in 1991, a bad sign for the future. The portrait hasn’t disappeared, any more than the landscape, but it would indeed be a bad sign if it did. It would mean we had lost interest in the unique human life with its unique vision, such a vision as is celebrated here with devotion and skill of the first magnitude.” Derek Mahon

Creator:
Anthony Palliser (1949, British)
Dimensions:
Height: 40 in (101.6 cm)Width: 60 in (152.4 cm)
Medium:
Oil
Movement & Style:
Modern
Period:
21st Century
Condition:
Gallery Location:
Atlanta, GA
Reference Number:
1stDibs: LU155528715522

Anthony Palliser
Charlotte

$29,900

Imposture, 2010

By Antoni TAULÉ

Located in Atlanta, GA

Taulé was born in 1945 in Sabadell, Barcelona. His father imparted the taste for painting to Antoni as a boy as the young artist watched him paint. After his primary studies, he began studying architecture in Barcelona and graduated in 1970. In 1965, he arrived in Paris and worked in architectural firms. It was Sartre's Paris, the construction of Unesco, the year of Le Corbusier's death and the end of Chandigarh, the French Cinematheque and Antonioni's films. Since the age of 14, he has never stopped painting and made his first personal exhibition in 1966 at the Academie de Belles Arts in Sabadell. Upon receiving his degree in architecture, he worked on the construction of l’Université autonome de Barcelone for a year. In 1971, he was asked to work on the development of a large shipyard on the small island of Formentera. There he met Laetitia Ney of Elchingen, who he would go on to marry. He devoted himself entirely to painting, and Formentera, like Paris, became one of his favorite places in both his life and to work. His first exhibition in Paris was in 1975 with Mathias Fels, presented to him by Hervé Télémaque—showing many paintings of his young daughter Djamilla, then three years old. The exhibition was titled, Espace hors temps (Space out of Time), with a foreword by Alain Jouffroy. In 1976, Taulé exhibited Contre-Jour (Against Day) at Fabien Boulakia on rue Bonaparte with a preface by Gérald Gassiot-Talabot and in Barcelona at the Aimé Maeght gallery—an exhibition visited by Joan Miró and Alexander Calder. In 1977, he exhibited at the Beaubourg gallery, with then associates Nahon and Trigano. In 1983, he met Jorge Luis Borges and Julio Cortázar, who wrote the novella Fin d’étape (End of Stage) for Taulé That same year, he was named Chevalier de l’Ordre des Arts et des Lettres (Knight of the Order of Arts and Letters) by Jack Lang...

Category

21st Century and Contemporary Modern Figurative Paintings

Materials

Oil

High in the sky, behind the clouds or within the clouds themselves, the muses live. They dance and sing all day long. They do everything to make their beloved feel good on Earth. The...

Category