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AreiRaTemple of the great Buddha.2024
2024
About the Item
“TEMPLE OF THE Great BUDDHA.” 50X70 CM. WATERCOLOR, PAPER.
SERIES "MANIFESTATIONS OF DIVINE."
Once, Siddhartha Gautama was an ordinary man, yet through countless lifetimes of virtue and self-discovery, he moved closer to his true nature. He sought wisdom through strict asceticism, but the answers did not lie in self-denial—they emerged in balance.
Seated beneath the Bodhi tree on the night of the May full moon, he attained what generations had sought—the path beyond suffering and illusion. From that moment, he was known as Buddha—The Awakened One. His teachings became a guiding light, leading souls through the darkness of ignorance toward true liberation.
- Creator:AreiRa (1988, Ukrainian)
- Creation Year:2024
- Dimensions:Height: 27.56 in (70 cm)Width: 19.69 in (50 cm)Depth: 0.12 in (3 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Zofingen, CH
- Reference Number:1stDibs: LU2203216333492
Ukrainian artist working under the pseudonym AreiRa. Born in 1988 in Kharkiv, Ukraine. Graduated from the Kharkiv Academic Art Lyceum and studied Interior Design at the Kharkiv State Academy of Design and Arts. Since 2023, she has been actively engaged in painting, working primarily with acrylic and watercolor. Her artistic practice combines figurative and mythological imagery, exploring themes of inner transformation, spiritual resilience, and the search for harmony. She draws inspiration from sacred symbolism, architectural heritage, and the cultural codes of ancient civilizations, creating compositions rich in subtle metaphors and emotional depth. For AreiRa, painting is a form of meditative practice, where the material and the symbolic intertwine to open new inner dimensions. Her works have been exhibited in Ukraine and abroad. The artist’s practice evolves through a dialogue with philosophy and the visual language of global cultural heritage. Her works are aesthetic and spiritual focal points that harmonize space and open an inner silence.
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