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Arnold FriedmanPost Office Parcel Post Window - Depression Era1935
1935
$42,000
£31,987.56
€36,870.33
CA$58,757.72
A$66,039.79
CHF 34,391.78
MX$803,207.16
NOK 440,084.95
SEK 417,330.23
DKK 275,175.89
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About the Item
Arnold Friedman worked as a clerk for decades at the Station Y, the branch at 3rd Avenue and East 67th Street in New York City. This present work was done two years after his retirement. This remarkable document of the bleak nature and structure of daily post office life is captured by one of its own, who was a Postal Clerk/Fine Artist. The strikingly original composition features a black and a white postal worker positioned at the extreme ends of the pictorial space. Breaking with academic tradition, they face outside of the picture. In doing so, the center part of the picture is purposely left wide open and creates a pathway that leads your eye into a mid-ground space and then a deeper and even deeper space. Although packed together, the people are looking away from one another. The packages are a metaphor for the people, crammed together but apart. Friedman captures the dehumanizing and impersonal character of a Manhattan post office where people are no more than packages. Signed, dated, and inscribed "New York P.O. STA. Y" lower left, - Elegantly framed to 15 x 30
Provenance: Sotheby's, New York, 20 June 1985, Lot 229. Hirschl & Adler, New York.
- Creator:Arnold Friedman (1874-1946, American)
- Creation Year:1935
- Dimensions:Height: 12 in (30.48 cm)Width: 27 in (68.58 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Overall good condition. Slight yellowing of varnish, scatters very faint craqueleur - otherwise present well.
- Gallery Location:Miami, FL
- Reference Number:1stDibs: LU385316407792
Arnold Friedman
Modernist painter Arnold Friedman, was born in New York City. He did not study art until 1905, with Robert Henri at the Art Students League in New York City. He supported himself by working in the post-office. Eleven paintings by Arnold Friedman were shown in New York City in 2002 at the Berry-Hill Galleries in the exhibition, High Notes of American Modernism: Selections from the Tommy and Gill LiPuma Collection. Friedman's paintings appeared in two exhibitions in New York City in 2003, a one-man show at the Barbara Mathes Gallery, and a survey, American Art: 1750 to the Present, at the Richard York Gallery. A comprehensive 1986 exhibition of approximately one hundred eleven paintings and some watercolors and drawings was held at the Salander-O-Reilly Galleries in New York City. The show, Arnold Friedman (1874-1946): An Exhibition: Paintings, Drawings and Watercolors, gave rise to an extensive catalogue with an essay by critic Hilton Kramer. Arnold Friedman participated, from February 14-16, 1936, in the First Congress of American Artists against War and Fascism, in New York City. An extant publication records the essays of painters Stuart Davis and Peter Blume, photographer Margaret Bourke-White, sculptor Paul Manship and critic Lewis Mumford, among others, as well as the artists who attended, including painters Max Weber, David Alfaro Siqueiros, Jose Clemente Orozco, Harry Sternberg, Arnold Blanch and John Groth.

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