Arnoldo Francesco Rubens

Arnoldo Francesco Rubens (Antwerp, 1687-1719), Battle with horsemen

18th 18th Century

Johann Heinrich Schönfeld (Biberach an der Riß, March 23, 1609 - Augsburg, 1684) (attr.) Gentlewoman on horseback at a tavern and Dice players (2) Oil on canvas, 98 x 74.5 cm Joha...

Angelo Monticelli (Milan, 1778-1837), attr. Dancing putti Oil on canvas, 122.5 x 131 cm The canvas presented here, referable to the 19th century, constituted an exquisite example of a painting made to decorate a boiserie, as evidenced by the particularity of the format and the ornamental subject matter. The theme of dancing putti takes up a widely used and experimented model around the 1620s, on which the greatest artists tried their hand: pordenone, author of the Dance of Putti now in the Uffizi Gallery in Florence, for example, was able to make use of multiple visual models to fine-tune this complex and original composition, such as having known Marcantonio Raimondi's famous engraving with a gyre of cupids, derived from an invention of Raphael himself and dated between 1517 and 1520. Over the following centuries, the fame of this prissy subject was never diminished. In fact, the work under consideration can be attributed to the hand of 18th-century artist Angelo Monticelli, who specialized in tempera drawing and was a pupil of painter Andrea Appiani (1754-1817), active mainly in Lombardy, where, for the Teatro alla Scala he designed the figures of the box parapets (1807) and the curtain (1821). In 1826, during the repainting of Ferrara's Municipal Theater, Monticelli decorated the plafond with an Apotheosis of Lodovico Ariosto. The curtain of the Rossini Theater in Pesaro is also by his hand. For the Duke of Lodi Francesco Melzi...

Signature: Signed Lower Right Cover Illustration: Saturday Evening Post, November 6, 1937

Eric Zener (b. 1966, Astoria, OR) completed his BA in 1988 at the University of California, Santa Barbara. As an artist he has been engaged in a quest to observe and understand the ...