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Astrid Stöfhas
Pardon - Portrait, Woman, Fashion, 21stC, yellow, Contemporary Art, modern art

2021

$5,365.28List Price

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Sometimes - 21st Century, Contemporary, Figurative, Portrait Painting, Oil
By Ger Doornink
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The Dutch multidisciplinary artist, Ger Doornink, specialises in painting, illustration and photography. Time spent living in Tokyo, Milan and currently Amsterdam, has heavily influe...
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Little Orange - 21st Century, Contemporary, Figurative, Portrait Painting, Oil
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Alex and the Mawangdui Daoyin Tu
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Oil Painting / Figurative Art / Human Figure / Pastel Colors / Interiors From Macauley Norman's solo exhibition, CRYPTIC CLUTTER, "Alex and the Mawangdui Daoyin Tu" is a serene figu...
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"Metamorphosis" Painting 31.5" x 31.5" inch by Yevhenii Shapovalov
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"Metamorphosis" Painting 31.5" x 31.5" inch by Yevhenii Shapovalov ATT: SHIPS ROLLED IN TUBE ABOUT: Yevhenii Shapovalov is a highly talented Ukrainian painter and graphic known fo...
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De vier Heemskinderen Four Sons of Aymon Acryl Painting on Canvas In Stock
By Ada Breedveld
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De vier Heemskinderen Four Children on Horse Acryl Painting on Canvas In Stock Ada Breedveld was born in Dordrecht at the start of the Dutch “Hunger...
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Pacifier III
By Do Byung-Kyu
Located in New York, NY
The medium of choice for Do Byung-Kyu, born in Cheonan, Korea, is dolls: they are both his conceptions and his physical expression. At the same time dolls are also the perfect tool for communicating the artist’s inner self. Expressing himself by means of dolls liberates Do from the restrictions of the mundane world. By embodying in the form of dolls his actions and thoughts, dreams and desires, and even the instincts lying in the depths of the subconscious, he transcends the secular boundaries. Dolls are his alter ego, his other self that he can construct precisely the way he wants. Sublimating the experiences and memories from his youth into various subjects of desire, Do uses dolls to paint a descriptive picture of the ambiguous feelings of contradictions from his childhood when he would abuse and kill a plaything, for example a frog, then bury the body in solemn mourning over its death. These sexual or violent games from his childhood are not likely to be limited to Do’s experiences alone. Most of us can vaguely remember indulging in sadistic acts of sexual love against a doll. Rising above a child’s simple curiosity, it is an intuitive game of the senses we play by ourselves. In a number of Do’s paintings, sticky liquid can be observed dripping down a doll’s face. This brings back recollections of the life inside our mothers’ womb where we were also enveloped by mucous waters, like the amniotic fluid. It refuses contact with the anything, and nothing wants to touch it either. The shape of such a mucous liquid is a protective layer sheltering the intrinsic identity and desires of man. It is also a substitution that satisfies the ego’s instincts otherwise suppressed by social norms. The dolls’ eyes...
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