Barbara Friedman

Collar Above Roof

2018

Alessandra Gasparini was born in Genova in 1964, but she would say that she was born in the sea. When she was a child she used to run along the beach like a beginner siren, and there she remained alone, listening to the spells of waves, to the magic of tides and the secrets hidden in the shells? Right there her painting was born; an alchemic mix between brackish water and the pungent fragrance of colors. Alessandra had a long artistic training that was for her not only a study, but a way of thinking. She studied in Italy and in Germany, and her works were exposed in many important private and public exhibitions. When Alessandra was a child she had her own sweet muse, hidden somewhere at home, waiting for her. She waited for the right impastos like the cadmio that she desired so much for her dress. When at the end, Adelaide revealed, Alessandra’s painting had an emotional blow, a new creative impulse. Just like a real muse, Adelaide is exigent and she demands complete devotion. As she appears perspective becomes oblique, lines and forms get in trouble and follow her changing moods. And Alessandra indulges her. Her paintings, where Adelaide is the only protagonist, are made up of warm and dense colors, creating metaphysical atmospheres coming from a rebellious and naughty soul. So painting is a blade, a weapon. The blade is a sharp mirror...

Belgium based artist, Pierre Bergian, expresses his fascination with architecture through his paintings by exploring space and structure. Old abandoned houses and their air of myster...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens when I am outside in large open spaces. Painted images act as a tool. I respond to the spaces my art suggests. That response is usually non-verbal. I am interested in the experience of non-duality that “getting lost” in big spaces can sometimes produce for me. The paintings have gone through a range of artistic treatments with the recent years seeing a focus on space, light, textures, atmosphere and distance. My landscape paintings are made from memory, not from on-site drawings or photographs. I use memory as a filtering agent to remove non-essential visual elements. When a work is successful, it must have a sense of poetry. There is nothing “new...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens wh...