Attributed To Benjamin Kopman "The Rabbi"

1963

Olja Ivanjicki "Florence or Hell of l'Inconnue De La Seine" original oil circa 1965 Original oil on board. Dimensions 26" wide x 42" high. The frame measures 30" wide x 46" high. Signed and dated at the upper border. She has auction results over $9,000 which was earlier in 2021. Olga Ivanjicki, the daughter of Russian emigrants was born in Pancevo, Danube Banovina. She studied at the Academy of Fine Arts in Belgrade, graduated in 1957, and in the same year she was the only woman among the founders of MEDIALA Belgrade, an art group of painters, writers and architects such as Leonid Šejka, Vladimir Velickovic, Ljubomir Popovic, Miodrag Ðuric. In 1962, she received a scholarship of the Ford Foundation to pursue her art studies in the United States, and in 1978 she was a selected artist of the Fulbright program Artist in Residence at the Rhode Island School of Design. She had over ninety individual exhibitions and participated in numerous national and international group exhibitions. Ivanjicki’s painting was influenced by Symbolism, Surrealism, Pop art and Fantastic art. In the course of her career, the artist received the Vuk Lifetime Achievement Award (Vukova nagrada, 1988), the Seventh of July Award (Sedmojulska nagrada, 1988) and the Karic Award. L'Inconnue de la Seine (English: The Unknown Woman of the...

The boy with a grown man’s expression. The dignified rooster, unfazed by his situation. This may have been painted from a 19th-century photograph, given the sepia tones of this paint...

Title: Cape Maneuver Artist: José María Tuser Vázquez (Barcelona, 1919 – 1986) Technique: Oil on canvas mounted on board Dimensions: 19.7 x 23.6 in (50 x 60 cm) Date: Circa 1980s Signature: Signed "Tuser" in the lower left corner Condition: Excellent; thick, vibrant brushwork and vivid colors well preserved. 📝 Description This painting captures a dramatic moment in the bullfight — the classic verónica — as the matador gracefully halts the bull’s charge with a sweeping motion of the cape. The vivid contrast of magentas, blues, and golds intensifies the theatrical tension between man and beast. The composition is dynamic yet controlled, emphasizing the poise of the torero against the raw force of the bull. The expressive brushstrokes and thick impasto enhance the sense of movement, while the abstracted background ensures focus remains on the central figures. The piece is a striking blend of figuration and emotional energy, characteristic of Tuser’s taurine works. 👤 About the Artist: José María Tuser Vázquez José María Tuser Vázquez was a Spanish painter born in Barcelona in 1919. He studied at the Barcelona School of Arts and Crafts and began exhibiting in the 1940s. By 1947, he had fully devoted his career to bullfighting scenes, developing a distinctive figurative expressionist style with impressionist influences. He collaborated with the magazine El Ruedo, creating numerous illustrations and covers, and designed collectible postcards for Editorial Artigas. His work became well-known in Spanish artistic circles and is now part of both private and institutional collections, including the Club Taurino of London. His paintings have been auctioned internationally, reaching up to $3,000 depending on size and subject. His legacy is that of a painter who masterfully captured the emotion, tradition, and drama of the Spanish corrida. 🎨 Similar Artists José María Tuser Vázquez’s work shares thematic and stylistic elements with: Roberto Domingo – A pioneer of bullfighting art...

In creating this piece, I was moved by the serene beauty of nature, capturing a moment where a small bird perches amid blooming flowers. The brush strokes and oils allowed me to expl...