Brian Keith Stephens

There is something I should tell you

Painting with fishes, underwater world Nugzar Avtandilovich Kahiani was born in Poti, Georgia in 1952. He studied at the Art College named after Nikoladze. Then he went to serve in the Soviet Army from1970 to 1972. After completing his military service he entered the Stieglitz St. Petersburg State Academy of Art and Industry at the faculty of artistic metal, from which he graduated in 1986. During his studies, he has been actively engaged in painting. His favorite artists are Gauguin, El Greco, Botticelli, Turner and Picasso. Works of artistic stone He worked also with stone, cornelian and onyx. But his soul gravitated to bright and blustery color, and so he has became engaged in painting. At first his paintings were quiet, with muted tonal gamma. The color image was built on the play of hues and halftones. Such a careful elaboration of color educates the taste, sharpness and delicacy of vision. Gradually, the painter became more experienced, and his paintings acquired assurance and power of maturity, blooming in colorful brilliancy. Nugzar's color preferences The color of Nugzar’s paintings is deep and multi-layered. It is woven of infinite number of hues and filled with light. At first sight it may be difficult to recognize the shapes in the play of flickering color dabs. The figures appear gradually, they draw the first breath just before our eyes, crystallizing from the color heap. The painter is attracted by major tonality and motives that years ago could be called “the gallant feasts” - repasts, assiduities, music parties, and airings. After somewhat daemonic, infernal imagery of early paintings, it has appeared the theme of “Le joie de vivre,” the joy of life. Source of inspiration Born in the ancient Kolkhida, he keeps the blissful pagan feel of entirety and completeness of being. It is embodied almost literally in his favorite personage auroral gorgeous-bodied beauty of a girl. He grants these forms even to Olympian inhabitants - Aphrodite, Athene, Arthemide, let alone the Bacchants. I remember unwittingly that Niko Pirosmani similarly painted on his impoverished buckrams the luxurious prince repasts and languid, elephantine beauties. Working style But his style is not bounded by grotesque parody, as well as the irony is not the only aspect of his world outlook. In his landscapes we can catch the ecstatic admiration with Nature. In contradistinction to his favorite impressionists, he never paints from nature and never bears in mind the particular place. It is just a blooming Earth, studied very closely, so that the trees are cut by the edges of the painting, and at the same time it is a bird’s eye view revealing infinite, boundless spaces. Nougzar says that the landscape for him is first of all a color ensemble. He can just leaf through the illustrated journal, nourishing his eye with color in various combinations, and so get the impulse to create a ‘physical’ landscape image. Probably, his landscapes are no less fantastical than his figure compositions, but such is his talent, his mission - to make the world more beautiful and gentle than it is in reality. Exhibitions Nugzar Kakhiani is a matured and recognized master, as follows from the long list of his exhibitions and countries where his works reside. 1987 - Exhibition of Georgian Artists in the Museum of Ethnography, Saint-Petersburg, Russia 1989 - Exhibition of Artists of Leningrad-Lenexpo, Russia 1990 - Exhibition of Van Gogh's memory, "Palette" , Russia 1991 - Exhibition Gallery Palette 1991 - Festival of Leningrad galleries in Manege, Saint-Petersburg, Russia 1992 - Exhibition at Gallery Pinatin, Berlin. 1993 - Exhibition of Piraeus, Athens, Greece. 1993 - Exhibition Gallery 47...

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Pieter Pander (born 1962, Drachten) is a Dutch artist known for his expressive portraits of people and animals. After studying at the Minerva Art Academy in Groningen, where he was taught by artists such as Matthijs Röling, he settled in Franeker. Pander works in a figurative style with a sketch-like, dynamic touch and a distinctive color palette of browns, blues, greys, and whites. His paintings contrast rough and detailed areas, creating visual tension. He often paints wet-on-wet and prepares his coarse linen canvases with acrylics, sometimes using a burner to alter the texture. His subjects vary widely, from the Frisian landscape to images from television. Animals play a central role; he portrays them with the same respect as people, capturing their character and emotion. Inspired by Jan Mankes...

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Like the 2015 String Theory series, the Dream Weavers takes its cue from the African Weaver Birds and their spectacular nest making skills. The Weaver Birds create various iconic for...

Cavallo, by Ferruccio Ferrazzi, Religious, Painting,Horse, Vatican, Brown,Tan “Cavallo” by Ferruccio Ferrazzi is a work lost during World War II and restored by the Mosaic School of Art at Vacan City. Circa 1940s. Ferruccio Ferrazzi (15 March 1891 – 8 December 1978 in Rome) was an Italian painter and sculptor as well as a professor at Accademia di Belle Arti of Rome.) Born in Rome, Ferrazzi was the eldest son of the sculptor Stanislao Ferrazzi. In 1904, he was trained in the studio of Francesco Bergamini, a former pupil of Michele Cammarano. The following year he attended the Scuola Libera del Nudo and at the Accademia di Francia. He first exhibited at the 1907 Exhibition (LXXVII Esposizione Internazionale di Belle Arti) in Rome. In 1910, he won a scholarship to the Instituto Catel which allowed him to take up art as a career. In 1913, he exhibited Genetrix at the First Roman Secession Exhibition (Prima Esposizione internazionale d'arte della Secessione Romana). In December, he was granted the national art pension which gave him financial security and allowed him to set up a studio in Via Ripetta. A visit to the Louvre in Paris revealed his interest in Georges Seurat whose style was similar to his own. In 1926, he became a professor at the Accademia di San Luca. The same year he was the first Italian to win the Carnegie Prize. In the spring of 1933, he was elected to the Italian Academy. After the war, he created mainly religious works, both paintings and sculptures. In the 1950s, he spent most of his time at the Casa di Santo Stefano in Monte Argentario where he created his ambient sculpture Il Teatro...

Artist: Will Barnet, American (1911 - 2012) Title: The Caller Year: 1974 - 1976 Medium: Oil on Canvas, signed and dated l.r. Size: 91.5 x 31.5 in. (232....