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Bruno Surdo
Anamorphic - Distorted Reclining Female Nude, Original Oil on Panel

2021

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    Using pornography as a vehicle for understanding, Rick Sindt's work explores the discovery and development of queer attraction. Sindt transforms pornographic stills, repurposing them into images of intimacy. Rick Sindt Without Heaviness oil on panel 12h x 9w x 1.50d in 30.48h x 22.86w x 3.81d cm RIS040 “This body of work has been crystalizing in my mind for about five years,” says Sindt, “It is the product of reflecting on how the places I learned the most about myself, and my desires, are considered something that sullies a person, something taboo.” Focused on the experiences of gay men, this body of oil paintings depicts moments that range from tender touches to more sexually explicit acts. “It was important to me that I only represent what I know,” explains Sindt, “I identify as a man, and I am attracted to others who identify as men. I don’t believe it is my place to speak on behalf of other members of the queer community whose experiences I am unfamiliar with.” “In creating this work, I spoke with men who told me about how they hid magazines when they were a kid, took out P.O. Boxes in their small hometowns to protect their privacy, and learned how to cover their tracks on the internet. These secretive acts become necessary when the need to understand yourself is great, but your world is bereft of representation." Rick Sindt b. 1990, Hastings, MN, EDUCATION 2013 North Park University, Chicago, IL - BFA Magna Cum Laude SOLO EXHIBITIONS 2016 Two Countries, Rogue Philanthropy, Chicago, IL 2013 Tides, Erosion or Catch, Pull, Recover; The-One-Right-Now, North Park University; Chicago, IL GROUP EXHIBITIONS 2016 Are We Not of Interest to Each Other, Uptown Arts Center, Chicago, IL Reinventing Ourselves From Another Point-of-View, Contemporary Gallery at Zhou B. Arts Center, Chicago, IL Collective: Process, Beans and Bagels, Chicago, IL 2015 Collective: for(a)ging, Hammond Art Center; Hammond, IN How We Make It, The Arts of Life, Chicago, IL Collective: One, Albany Park...
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  • Did I Steal You Away? - Intimate Painting of a Couple Embracing, Original Oil
    By Rick Sindt
    Located in Chicago, IL
    Using pornography as a vehicle for understanding, Rick Sindt's work explores the discovery and development of queer attraction. Sindt transforms pornographic stills, repurposing them into images of intimacy. Rick Sindt Did I Steal You Away? oil on panel 18h x 24w x 1.50d in 45.72h x 60.96w x 3.81d cm RIS036 “This body of work has been crystalizing in my mind for about five years,” says Sindt, “It is the product of reflecting on how the places I learned the most about myself, and my desires, are considered something that sullies a person, something taboo.” Focused on the experiences of gay men, this body of oil paintings depicts moments that range from tender touches to more sexually explicit...
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    This painting entitled "Orchids" is a semi nude male. His hard chiseled body contrasts with the soft flower crown and halo he wears. It is beautifully balanced on the deep blue ba...
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    21st Century and Contemporary Contemporary Figurative Paintings

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  • In the Land of the Free (with Phosphorous Bombs), Allegorical Original Painting
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    This painting originated with a photo of Phosphorous bombs in the 2010 issue of World Press Photo. Phosphorous bombs are known to burn flesh to the bone, are outlawed by the Geneva Convention, and were being used on an oppressed people. With the exploding bombs are "dollar pyramids," together they reveal violence and greed on a pastel horizon. Front left is a herm derived from Mantegna lamenting the loss of virtue. In the foreground is a family group. I painted the child holding an assault rifle after reading about the number of children that die of gunshot wounds. The woman gazes up at a comic book-like hero. In his book on the Greek Heroes Stephen Fry said that the "heroes cleansed our world of...earth-born monsters that endangered mankind and threatened to choke the rise of civilization." While painting this I thought about disproving Susan Sontag's statement that Camp is never political. This piece is framed in a heavily carved wooded frame measuring 25.5h x 21.5w inches. William Krug...
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  • La-La Tempesta - Modern Interpretation of Giorgione's Renaissance Painting
    Located in Chicago, IL
    Lamenting the lack of clear queer imagery in Renaissance painting I decided to paint a Gay version of "La Tempesta" by Giorgione. The small creature in the for...
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