Carl Fischer

'Organ Grinder, Paris', Danish Post-Impressionist Figural Oil, Charlottenborg

Circa 1930

Lively figurative composition of a woman in purple by Michael William Eggleston (American, 20th Century). Monogrammed and dated "MWE 98" in the lower right corner. Presented in a new...

Signed oil on paper laid on board figures in landscape circa 1890 by French Neo-Impressionist painter Albert Dubois-Pillet. This pointillist piece depicts and elegant couple enjoying...

Extremely rare work of art from the early Bezalel School of Boris Schatz in Ottoman Palestine. it depicts an Orientalist Arab Sheik in traditional Headwear. YITSKHOK LIKHTENSHTEYN ...

This painting depicts a whimsical scene of sun bathers by the sea shore with the coast in the background. The bright colors and quick brush strokes are what makes this painting so at...

For sale is a captivating painting by the Swedish artist, Rikard Lindström (1882-1943). Depicting a picturesque water canal, with charming houses lini...

Signed oil on paper laid on panel seascape c.1907 by French post impressionist painter Achille-Emile Othon Friesz. The piece is a study of a view of a boat in a quay at Normandy, Fra...

Gaëtan Dumas. French ( b.1879 - d.1950 ). Une Trace De Plaisir Ou De Regret. (A Trace Of Pleasure Or Regret). Oil On Canvas. Signed Upper Right. Image size 13.2 inches x 10 inches ( ...

Alfred Henri Pailhès. French ( b.1902 - d.1991 ). Rendez-Vous Des Havrais Pour Leur Promenade Dominicale. Oil On Panel. Signed Lower Left. Image size 12.4 inches x 15.6 inches ( 31.5...

Portrait, figures, narrative, landscape. Inspired by Goya, Warhol. ( Campbell Soup can) Oil paint and mixed media on panel.

Harold Walton Freckleton. English ( b.1890 - d.1979 ). Milly With Minstrel. Oil On Canvas. Signed Lower Right. Image size 24.4 inches x 29.52 inches ( 62cm x 75cm ). Frame size 30.7 inches x 35.8 inches ( 78cm x 91cm ). Available for sale; this original oil painting is by the Nottingham artist Harry Freckleton and dates from the 1960s. The painting is presented and supplied in its’ original wooden frame (which is shown in these photographs). The frame, canvas and the painted surface have benefitted from cleaning, restoration and conservation, which was performed on our instruction, supervision and approval. The original cotton covered slip has been replaced. This vintage painting is now in very good condition, defying its age. It wants for nothing and is supplied ready to hang and display. The painting is signed lower right. The acclaimed artist Harry Freckleton was born in Nottingham in 1890 and lived there for most of his life. He studied at the Nottingham School of Arts, as it was then known, from 1904 to 1912 under Wilson Foster and was much influenced by the local painter Arthur Spooner. He worked as a lithograph artist, and then served in the army during World War 1. He then worked as an artist for New Zealand Cine Studios and went on to run his own photographic business from 1924-65. Freckleton married the artist Vera Freckleton and they spent most of their married life living in at Whitegates in The Park, Nottingham. Most of Freckleton’s art is painted in oils, and he specialised in still life, landscape and figurative work, especially childhood scenes. His best works have a strong human interest, with an individual technique showing quality and fine execution. He was a member of the Nottingham Society of Artists, exhibiting there and becoming an esteemed Associate. As a successful artist Freckleton exhibited work seven times at the Royal Academy, as well as the Royal Society of Portrait Painters and the Royal Society of British Artists. His work continues to be sought-after and is today represented in permanent collections in Nottingham, Blackpool, Huddersfield and elsewhere. © Big Sky Fine Art This beautiful oil on canvas painting by Harry Freckleton shows a scene in an English farmyard. Besides an old green painted barn and a tall haystack, we see Minnie, a young girl sitting astride Minstrel, her brown pony. She is wearing a riding hat, white blouse and red trousers, and looks down at her left side towards a second figure, in a blue top and tan trousers, who is possibly adjusting her stirrups. A third figure, another girl, in grey blouse...