Carl Wilhelmson

On the Sea (På havet, 1911) by Swedish Carl Wilhelmson

1911

Literary Origins of Angelica The subject of this painting is Angelica, a princess from the epic chivalric romances of the Italian Renaissance. She first appears in Matteo Maria Boiardo’s Orlando Innamorato (1483) and reappears famously in Ludovico Ariosto’s Orlando Furioso (1532). In these poems – part of the Matter of France cycle of Charlemagne and his paladins – Angelica’s extraordinary beauty ensnares many knights, including Orlando (Roland) and his cousin Rinaldo, sparking rivalries and adventures. Ariosto’s narrative particularly highlights Angelica’s tumultuous journey: at one point she is stripped and chained to a rock as a sacrifice to a sea monster (a scene mirroring the myth of Andromeda) before being dramatically rescued by the valiant knight Ruggiero on his winged horse. Ultimately, however, Angelica chooses her own destiny. She falls in love with a humble Saracen soldier, Medoro, whom she nurses back to health, and she returns with him to her far-off Asian kingdom – an affair that drives the heartbroken Orlando to madness. This independent resolution (marrying outside the circle of Christian knights) made Angelica an emblem of feminine agency and romantic idealism in Renaissance literature. Her story remained popular in art and literature through the centuries, symbolizing the allure and elusiveness of love. Kronberg’s Portrayal and Composition In Julius Kronberg...

This tender scene by German artist Georg Buchner captures a quiet, intimate moment: a young girl carefully watering a potted plant on a windowsill. The warm light gently illuminates ...

Unknown Artist, Possibly Gustaf Brandelius (1833-1884) Portrait of a Young Boy With Hat oil on tree panel painted c.1850-70 panel 9.05 x 5.90 inches ...

For sale is a beautiful small portrait by the Italian artist Giuseppe Giardinello, whose life spanned from 1887 to 1920. This work of art is a remarkable representation of Giardinell...

Oil painting on Board realized by Balla as portrait of his second daughter Elica. A beautiful, top quality portrait among the most beautiful of his figurative painting. It includes an original contemporary wooden frame designed and colored by Balla himself (he used to often produce himself the frames for his works). Signed on top left "BALLA" in capital letters. Giacomo Balla (Turin, 1871 - Rome, 1958) Giacomo Balla was born in Turin in 1871. Since he was a young boy, when he begins to attend the Albertina Academy, he dedicates his studies to the violin and painting. His first artistic accomplishment dates back to 1894, a self-portrait. In 1895 Balla moves to Rome with his mother and then in 1900 he moves to Paris for several months. His early years as a painter indicate an interest in the divisionist paintings of Pellizza da Volpedo...

David Finsonius (Veere 1597- Bergen op Zoom 1646/1648) Portrait of a girl with a rose and a red coral necklace With traces of the artist’s signature and annotated AETATIS S.V. 2 1⁄2 Ao 1631 Oil on panel, H. 104.5 x 79.5 cm Provenance: Purchased by Jonkheer Helenus Marius Speelman (1857-1909), Kasteel de Wittenburg; thence by descent The work shows a strong resemblance to a portrait by Finsonius in the North Brabant Museum. This signed and dated "Girl with Basket and Cherries" (Inv. 15529), was painted just a year later, in 1632. Not only are the paintings remarkably similar in overall size and format, in painting style, and in the positioning of the girls in full length in their white lace dresses. They are also connected by the iconographic scheme of the respective coral necklaces, each with a gold memorial medal hanging from it. Although they are of course individuals, the faces are very similar in their depictions of features such as eyes, nose, and lips. This points to the same technique applied by the same painter. Finally, the handwriting is almost the same on the works by Finsonius known so far. About the painter, David Finson named 'Finsonius' (related to the better-known Louis Finson...

Oil painting and collage on wood panel Unique work Hand-signed higher right by the artist

Oil paint on wood panel Signed on the back "Incanto" or the enchantment of shifting "Nicolas Kennett revisits the organic world through painted and sc...