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Carl Wuermer"Winter Silence" Carl Wuermer, American Impressionism Quiet Snowy Landscapecirca 1920s
circa 1920s
$12,000
£9,068
€10,471.32
CA$16,768.19
A$18,605.72
CHF 9,746.08
MX$228,156.05
NOK 123,966.72
SEK 117,019.30
DKK 78,091.20
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About the Item
Carl Wuermer
Winter Silence
Signed lower left
Oil on canvas
25 x 30 inches
Known for serene, realistic landscapes, he was a widely exhibited painter who won numerous awards including the J. Francis Murphy Memorial Prize from the National Academy of Design in 1928. Many of his paintings convey a sense of panorama and lead the eye into deep vistas.
Wuermer was born in Munich, Germany, and in 1915, emigrated to Chicago where from 1920 to 1924, he studied at the Art Institute with Wellington Reynolds. He then went to New York City for study at the Art Students League.
In 1929, he was accepted for artist membership by the Grand Central Art Galleries in New York City.
His technique for painting was similar to that of the Pointillists although the final effect was much more exact and realistic. He slowly built up the paint on his canvas by using dots of color.
- Creator:Carl Wuermer (1900-1981, American)
- Creation Year:circa 1920s
- Dimensions:Height: 31 in (78.74 cm)Width: 36 in (91.44 cm)
- More Editions & Sizes:Unique workPrice: $12,000
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1841216071862
Carl Wuermer
Known for serene, realistic landscapes, he was a widely exhibited painter who won numerous awards including the J. Francis Murphy Memorial Prize from the National Academy of Design in 1928. Many of his paintings convey a sense of panorama and lead the eye into deep vistas. Wuermer was born in Munich, Germany, and in 1915, emigrated to Chicago where from 1920 to 1924, he studied at the Art Institute with Wellington Reynolds. He then went to New York City for study at the Art Students League. In 1929, he was accepted for artist membership by the Grand Central Art Galleries in New York City. His technique for painting was similar to that of the Pointillists although the final effect was much more exact and realistic. He slowly built up the paint on his canvas by using dots of color.
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