Clément Rosenthal

Faded foliage N°475

2018

Shitomi Murakami Untitled 2018 Oil on Canvas 39 x 39 in, 99 x 99 cm Signed by Artist Private Collection of Didier Marien

Shitomi Murakami Untitled 2003 Acrylic on Canvas 59 x 78 in, 150 x 198 cm Signed by Artist Private Collection of Didier Marien

Clément Rosenthal Abstraction N°11 1987 Oil on Canvas 79 x 70 in, 202 x 178 cm Signed by Artist Provenance: Artist's Studio, France Very early on, Clément Rosenthal aimed t...

Kyoko SASAÏ Vénus 2021 Acrylic painting on canvas with interior trim 15 x 5 x 1 in, 38 x 14 x 2.5 cm Unique Piece

Kamal Mitra - Lost Childhood - 50 x 70 inches (unframed size) Acrylic on Canvas Inclusive of shipment in a roll form. About Kamal Mitra’s Works : While pursuing his Bachelors (Pain...

Pig Latin III (I Think Therefore I Am) is an acrylic on canvas painting, 24 x 24 inches, signed 'DEYBER' lower right and framed in a black contemporary frame.

Raya, like every productive artist, is a collection of actions, utopias and talents. He is an acrylic painter and a muralist; an installation artist and a practitioner of the theory of the fragment as a synthesis of the whole; he is Chicano but his work has no passport; he is an obsessive self-portraitist (I, as the multiplicity locked within the I) and his an advocate of his community (in the fullest sense of the world); his is from Chicago and - being a nation onto himself - is a native of his art education; his yearns for the Tijuana of tomorrow while being a full-fledged inhabitant of the Tijuana of half a century back; he admires high-tech while being a fan of Frida Kahlo. --Carlos Monsivais Marcos Raya Dog Years oil on canvas 17h x 17w in 43.18h x 43.18w cm MSR054 Marcos Raya brings together old and new works in a variety of media that mostly explores the sociological impact of technological change. His paintings, collages and installations present an idiosyncratic hybrid of Mexican folklore...

Raya, like every productive artist, is a collection of actions, utopias and talents. He is an acrylic painter and a muralist; an installation artist and a practitioner of the theory of the fragment as a synthesis of the whole; he is Chicano but his work has no passport; he is an obsessive self-portraitist (I, as the multiplicity locked within the I) and his an advocate of his community (in the fullest sense of the world); his is from Chicago and - being a nation onto himself - is a native of his art education; his yearns for the Tijuana of tomorrow while being a full-fledged inhabitant of the Tijuana of half a century back; he admires high-tech while being a fan of Frida Kahlo. --Carlos Monsivais...