Daisy Patton

Untitled (Agustos 1970)

2017

This monotone portrait of famed starlet Marilyn Monroe is by Hunt Slonem. Rendered in shades of red oil paint, recalling Monroe's favored signature lipstick, this work comes directly...

comprised of two panels each 96"x40" exhibition history: "Uncovered Spaces" at the International Museum of Art and Science in collaboration with the Center for Latin American Arts at...

This work by Michael Gadlin is mixed media on wood panels. The central figure is rendered against an azure background, while the sitter's brightly-hued abstracted features take cente...

Mario Zoots uses abstract, figurative, and still life objects to create abstract collages which challenge concepts of form, color, and object identificatio...

"Putto Grotto 2" is a miniature painting by Denver-based artist Melissa Furness. Inspired partly by the small figures that adorn the Roman Emperor Nero's pleasure palace, this strang...

Kaitlyn Tucek's "La Mer" captures an intimate moment between two male subjects. As the pair gaze at one another, one holds a starfish, seeming to caress ...

Robert Lebsack creates artworks using mixed media with ink, acrylic, and charcoal on archival copies of newspapers, textbooks, and sheet music. As a visionary artist, Lebsack weaves ...

Robert Lebsack creates artworks using mixed media with ink, acrylic, and charcoal on archival copies of newspapers, textbooks, and sheet music. As a visionary artist, Lebsack weaves ...

Robert Lebsack creates artworks using mixed media with ink, acrylic, and charcoal on archival copies of newspapers, textbooks, and sheet music. As a visionary artist, Lebsack weaves ...

A cello is held up between the legs of its accompanying musician in a snowy landscape. Snow has collected on the protruding bits of Cello and on the tops of the musician's knees. Though we can't see the face of the musician, we see their bare arms, folding upwards, as if they have buried their face in their hands. -- Building on her previous show, Main Squeeze, which featured bodies pressing through the grid of lawn chairs, in “That Feeling When,” Aldrich expands the excess of materials to large figure paintings...

REDSKIN is one of eight pieces in Nashville based artist Omari Booker's series for his solo show “Red Line” at Channel to Channel. Booker’s new series of work is centered around the...

In the series of paintings titled “That Feeling When,” Aldrich expands the excess of materials to large figure paintings and small, overfilled sculptures. Aldrich uses thick materials that protrude from the surface, reminding the viewer that the paintings are not only physical objects in themselves, but also create the illusion of the picture. The work employs a risky excess of material that borders on uncontrollable; becoming metaphoric for barely controlled femininity, the attraction and repulsion of materialism, and the body pressing against constraints. The figures in the paintings are seen from behind or have turned away. The viewer is put in a place of questioning whether they are a voyeur or a co-viewer with the figure of something deeper in the picture plane. The full body paintings of young women based on Nancy Drew...