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Daniel BermanAll the palm trees I2022
2022
$7,520
£5,616.26
€6,516.83
CA$10,415.25
A$11,675.41
CHF 6,088.46
MX$143,112.09
NOK 77,151.07
SEK 73,349.95
DKK 48,624.02
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About the Item
The pieces presented by Daniel Berman attract by the power of the pictorial gesture materialized in the line, the form, and the color. For Daniel, each painting contains and transmits the energy reflected in its execution, turning it into a vehicle of communication at an energetic and emotional level. His work methodology is rooted in an exercise of pictorial rewriting that transits between revelation and concealment, creation and destruction. A patient look at the work presented by Daniel will realize that what appears to be playful and almost childish, reveals itself as a complex, dynamic and expansive world, charged with a powerful visceral typical of a wild and primitive state.
- Creator:Daniel Berman (1982, Mexican)
- Creation Year:2022
- Dimensions:Height: 47.24 in (119.99 cm)Width: 75.59 in (192 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Ciudad de México, MX
- Reference Number:1stDibs: LU2072211167392
Daniel Berman
There is in Daniel a fixation on anthropomorphic figures rather than strictly human ones as a receptacle to express the full range of emotions of the modern subject. The cast of characters in his images is extremely varied, but certain beings remain with him, accompany him through time, and adapt to different supports and scales. He appropriates popular cartoons to pimp them up, but he's also surprisingly atavistic and primitive. Despite this fixation on the body, which often materializes in ultra-Baroque compositions, in his latest works he tends towards dissolution. At such a level of fragmentation and blurring, his paintings flirt more openly with abstraction. In this series of new paintings, we can see a clear stylistic evolution and an intense dialogue between formal and conceptual extremes, transcending predictable, repetitive, and standardized results to stand out with tropical expressionism in which its confessional quality is a fundamental bastion at the hands of a chromatic exploration.
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