Danielle Maillet-Vila

French Contemporary Art by Danielle Maillet-Vila - Untitled

2019

Oil on canvas, ''I offer art collectors series about the world we live in simultaneously with reality, they can live in these colorful, interesting, modern and dynamic world filled with ecology, making their lives more diverse and fascinating'' Rusiko Chikvaidze is a Georgian artist born in 1970, who lives and works between Tbilisi, Georgia and Chevy Chase...

Oil on canvas, ''I offer art collectors series about the world we live in simultaneously with reality, they can live in these colorful, interesting, modern and dynamic world filled with ecology, making their lives more diverse and fascinating'' Rusiko Chikvaidze is a Georgian artist born in 1970, who lives and works between Tbilisi, Georgia and Chevy Chase...

Oil on canvas, ''I offer art collectors series about the world we live in simultaneously with reality, they can live in these colorful, interesting, modern and dynamic world filled ...

Oil on canvas, ''I offer art collectors series about the world we live in simultaneously with reality, they can live in these colorful, interesting, modern and dynamic world filled ...

"Red 3" Oil on Canvas . Frank Arnold is thought by many to be one of the foremost abstract figurative painters and sculptors of our time. He is a living master whose work is conside...

Agata Czeremuszkin-Chrut was born in 1983 in Czestochowa, Poland. She graduated from the Academy of the Fine Arts in Wroclaw (2008) with the Master degree in Painting. In 2007 she st...

An original oil on un-stretched canvas by Jackie Felix, currently featured in the exhibition at Benjaman Gallery "Over the Fence". Jackie Felix (1929-2009) earned her Bachelor of ...

"Untitled" is a painting by artist David Smith. The work is signed and dated in the upper left "David Smith (symbol) 1936". When David Smith set up a workshop on the Brooklyn Navy Pier in 1933 to learn direct-metal techniques, he shared the space not with artists, but with professional welders. Yet as he stated in 1964, ‘…all my early friends were painters…I never conceived of myself as anything other than a painter because my work came straight through the raised surface.’ Picasso and Cubism would be dominant influences in Smith’s work. He understood that Picasso imagined the world as a sculptor might, and not necessarily limited to the unavoidable impact of Cubism. In addition to pursuing a kind of rethinking of the world in three-dimensionality on his own terms, by the late 1920s, Picasso had shown interest in surrealism. That meant drawing not as a depiction of reality, but rather as a reconfiguration of the body in an assemblage of often precariously balanced, interconnected forms — some expressed in a three-dimensional form, others as drawings or paintings. Those processes are reflected in this work by David Smith; three fanciful totemic assemblages set within a landscape perspective of ground, mountains, and sky and whose presence is surreal enough to cast shadows under a presumed solar presence. Untitled, 1936 embraces surrealism, yet also serves to demonstrate the extent to which his thought processes are inextricably linked to sculpture and related to scale, spatial orientation, and three-dimensionality. With that in mind, it is not surprising to know that Smith saw no demarcation between sculpture and painting, or that a painting such as Untitled (1936) can exist outside of planning or design for future three-dimensional work. Provenance: Estate of David Smith, New York Hauser & Wirth Private Collection Exhibition: Kunstsammlung Nordrhein-Westfalen, ‘David Smith: Skulptureen, Zeichnungen [David Smith: Sculpture and Drawings]’ Dusseldorf/DE, March 14 – April 27, 1986 (travelled to: Städtische Galerie im Stäelschen Kunstinstitut, Frankfurt/DE, June 19 – September 28, 1986: Whitechapel Art Gallery...