Dario Cusani

BETWEEN-PAST-FUTURE - Tra-passato-futuro - Paint by Dario Cusani - 1996

1996

TECHNIQUE PHOTO-PAINTING The technique used was defined as PHOTO-PAINTING by the art critic Silvia Pegoraro of Ravenna Italy and was an Artist's invention in 1994. In fact, since 196...

TECHNIQUE PHOTO-PAINTING The technique used was defined as PHOTO-PAINTING by the art critic Silvia Pegoraro of Ravenna Italy and was my invention in 1994. In fact, since 1964 I had been working with photography and painting which had never been united. In 1994 I returned to Naples, the city where I was born and had been missing for 10 years after moving to Rome in 1984. I returned to see the MIRACLE achieved by the G7 with the Presidents of the most powerful countries led by Bill Clinton, US President. It was a wonderful visit to my city reborn in its ancient splendor! I took over 5,000 photos of the squares and monuments of Naples with my Nikon. I returned to Rome and had all the photos printed and put them on various tables and assembled all the various pieces. I immediately realized that parts were missing which I completed with paint. A spontaneous gesture with which I had unconsciously achieved a great innovation: I had combined the REALITY of photography with the DREAM represented by painting. Silvia, my muse who knew me well, when I showed her the first work IMPERATING MALE (R:0176) that I had done she said to me: "Dario you have united the TWO WORLDS of your life: that of your childhood with the sensitivity of the dreamer with the concrete one that they gave you taught your parents with education, studies (degree in Economic Sciences) and work started at 15 years old in your family's copper industry. These formative years had distanced myself from those of childhood when I studied the piano and dreamed of becoming an orchestra conductor. I also drew and painted with my imagination in search of the affections I was missing.  In fact my parents were busy in the factory (copper production) rebuilding Italy destroyed by the recently ended war. I then refined PHOTO-PAINTING which developed into DIGITAL PROCESSING having replaced the BRUSH with the MOUSE to fill the gaps left by the photography and complete the REALITY which with painting became another FANTASTIC reality. PLACES OF MEMORY Cities This work is part of the "research" PLACES OF MEMORY Cities revisited by me in a fantastic way. In fact I use my exclusive PHOTOPAINTING technique with a photographic element to which I add painting (oil or acrylic) to create a NEW REALITY. HEAVENLY ROME This is the first painting made of Rome with the PHOTOPAINTING technique 10 years after my move to Caput Mundi! Notice (on the right) two glimpses: The first desecrator is the façade of Montecitorio, seat of the Italian parliament, which is collapsing... and from the date of the painting 1995...

TECHNIQUE PHOTO-PAINTING The technique used was defined as PHOTO-PAINTING by the art critic Silvia Pegoraro of Ravenna Italy and was an Artist's invention in 1994. In fact, since 1964 Dario Cusani...

TECHNIQUE PHOTO-PAINTING The technique used was defined as PHOTO-PAINTING by the art critic Silvia Pegoraro of Ravenna Italy and was an Artist's invention in 1994. In fact, since 1964 Dario Cusani had been working with photography and painting which had never been united. In 1994 I returned to Naples, the city where I was born and had been missing for 10 years after moving to Rome in 1984. I returned to see the MIRACLE achieved by the G7 with the Presidents of the most powerful countries led by Bill Clinton, US President. It was a wonderful visit to my city reborn in its ancient splendor! I took over 5,000 photos of the squares and monuments of Naples with my Nikon. I returned to Rome and had all the photos printed and put them on various tables and assembled all the various pieces. I immediately realized that parts were missing which I completed with paint. A spontaneous gesture with which I had unconsciously achieved a great innovation: I had combined the REALITY of photography with the DREAM represented by painting. Silvia, my muse who knew me well, when I showed her the first work IMPERATING MALE (R:0176) that I had done she said to me: "Dario you have united the TWO WORLDS of your life: that of your childhood with the sensitivity of the dreamer with the concrete one that they gave you taught your parents with education, studies (degree in Economic Sciences) and work started at 15 years old in your family's copper industry. These formative years had distanced myself from those of childhood when I studied the piano and dreamed of becoming an orchestra conductor. I also drew and painted with my imagination in search of the affections I was missing.  In fact my parents were busy in the factory (copper production) rebuilding Italy destroyed by the recently ended war. I then refined PHOTO-PAINTING which developed into DIGITAL PROCESSING having replaced the BRUSH with the MOUSE to fill the gaps left by the photography and complete the REALITY which with painting became another FANTASTIC reality. PLACES OF MEMORY Cities This work is part of the "research" PLACES OF MEMORY Cities revisited by me in a fantastic way. In fact I use my exclusive PHOTOPAINTING technique with a photographic element to which I add painting (oil or acrylic) to create a NEW REALITY. REIGNING MALE (R:0176) NAPLES ITALYThe construction of the Castel Nuovo, also called Maschio Angioino, began in 1279, under the reign of Charles I of Anjou. Due to its strategic position, the new castle was not only a royal residence, but also a fortress. The Castle is located in the center of Naples and by the sea and only in 1600 was no longer home to the Kings when Naples was conquered by the Spanish. In fact, a few steps away was built the Royal Palace to accommodate the viceroys as representatives of the kings of Spain until 1734, when Charles of Bourbon became king of Naples and made it its official seat. Then with the conquest of Naples by the Habsburg emperors it became their home. Given its importance I wanted to give the Male an imposing look that soared towards the sky. In 1994 I took the photos and started to mount the central ones of the carved marble portal...

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