Dario Cusani

THE SATELLITE CAESARS - CAESAR PALACE (Las Vegas) - Paint by Dario Cusani - 2005

2005

TECHNIQUE PHOTO-PAINTING The technique used was defined as PHOTO-PAINTING by the art critic Silvia Pegoraro of Ravenna Italy and was an Artist's invention in 1994. In fact, since 1964 Dario Cusani...

TECHNIQUE PHOTO-PAINTING The technique used was defined as PHOTO-PAINTING by the art critic Silvia Pegoraro of Ravenna Italy and was an Artist's invention in 1994. In fact, since 196...

TECHNIQUE PHOTO-PAINTING The technique used was defined as PHOTO-PAINTING by the art critic Silvia Pegoraro of Ravenna Italy and was an Artist's invention in 1994. In fact, since 1964 Dario Cusani...

TECHNIQUE PHOTO-PAINTING The technique used was defined as PHOTO-PAINTING by the art critic Silvia Pegoraro of Ravenna Italy and was my invention in 1994. In fact, since 1964 I had been working with photography and painting which had never been united. In 1994 I returned to Naples, the city where I was born and had been missing for 10 years after moving to Rome in 1984. I returned to see the MIRACLE achieved by the G7 with the Presidents of the most powerful countries led by Bill Clinton, US President. It was a wonderful visit to my city reborn in its ancient splendor! I took over 5,000 photos of the squares and monuments of Naples with my Nikon. I returned to Rome and had all the photos printed and put them on various tables and assembled all the various pieces. I immediately realized that parts were missing which I completed with paint. A spontaneous gesture with which I had unconsciously achieved a great innovation: I had combined the REALITY of photography with the DREAM represented by painting. Silvia, my muse who knew me well, when I showed her the first work IMPERATING MALE (R:0176) that I had done she said to me: "Dario you have united the TWO WORLDS of your life: that of your childhood with the sensitivity of the dreamer with the concrete one that they gave you taught your parents with education, studies (degree in Economic Sciences) and work started at 15 years old in your family's copper industry. These formative years had distanced myself from those of childhood when I studied the piano and dreamed of becoming an orchestra conductor. I also drew and painted with my imagination in search of the affections I was missing.  In fact my parents were busy in the factory (copper production) rebuilding Italy destroyed by the recently ended war. I then refined PHOTO-PAINTING which developed into DIGITAL PROCESSING having replaced the BRUSH with the MOUSE to fill the gaps left by the photography and complete the REALITY which with painting became another FANTASTIC reality. PLACES OF MEMORY Cities This work is part of the "research" PLACES OF MEMORY Cities revisited by me in a fantastic way. In fact I use my exclusive PHOTOPAINTING technique with a photographic element to which I add painting (oil or acrylic) to create a NEW REALITY. HEAVENLY ROME This is the first painting made of Rome with the PHOTOPAINTING technique 10 years after my move to Caput Mundi! Notice (on the right) two glimpses: The first desecrator is the façade of Montecitorio, seat of the Italian parliament, which is collapsing... and from the date of the painting 1995...

With a career spanning more than three decades, Robbie Cornelissen has established himself among the leading contemporary draughtsmen in Europe. His vast and irresolute creative universe demonstrates the complexity of a world dealing with new spatial concepts. Every corner of the planet may have been explored, but digital technologies have opened up an endless universe to discover, a virtual labyrinth without an exit in which one can easily get lost. His drawings often serve vertiginous perspectives out of which emerge distressing voids that refer more to metaphorical states of mind than physical spaces. Cornelissen’s works offer an exploration of these fields and are therefore often viewed as places of anxiety. They could easily be interpreted as portraits of a technophobic mind, alarmed by the speeds and heights of our advanced neoliberal societies. But for some, the volatility of these spaces is also incredibly exciting – liberating even. Cornelissen represents a world in which things are freed from the pragmatism of their usage to exist simply for the interest of their geometry. This is particularly true of architecture, the prime subject of his artistic research. In many ways, Cornelissen’s technique is very classical. His expertise of linear perspective takes root in the heritage of Quattrocento Masters of the likes of Pietro Perugino...

Artist: Unknown Title: The Mirage Hotel and Casino, Las Vegas Medium: Photograph Size: 84 in. x 70.5 in. (213.36 cm x 179.07 cm) Frame Size: 89.5 x 76 inches

In Hoc Signo Vinces, 2007 Acrylic on canvas (Signed on the front) 78 7/10 H × 78 7/10 W in 200 H × 200 W cm "Constantin's Memories" project represents th...

Allegoria Lataranense Oil Painting on Canvas Rome Mythology In Stock Giovanni Tommasi Ferroni (1967, Rome) descended from an artistic Tuscan family. His grandfather, father, sister ...