Deborah Grant

Untitled (Lamb)

2002

Brian Leo Cookie 2018 Acrylic on stretched canvas 10 x 10 inches Brian Leo was born in New Jersey in 1976, and is currently living in New York City. He is a graduate of Rutgers’ Ma...

Brian Leo Grizzly School 2018 Acrylic on stretched canvas 10 x 10 inches Brian Leo was born in New Jersey in 1976, and is currently living in New York City. He is a graduate of Rut...

Aibo 4th Generation, 2018 Hand embellished monoprint on canvas 21 7/10 × 29 1/2 in 55 × 75 cm Sophia’s Safehouse in an Uncanny Valley examines the rece...

Deckard's Dream, One Small Step (part 2 of 2) 2024 Acrylic on linen 36 x 24 inches Signed, dated, and annotated on verso Currently on view through January 14th as part of Allegories...

Raya, like every productive artist, is a collection of actions, utopias and talents. He is an acrylic painter and a muralist; an installation artist and a practitioner of the theory of the fragment as a synthesis of the whole; he is Chicano but his work has no passport; he is an obsessive self-portraitist (I, as the multiplicity locked within the I) and his an advocate of his community (in the fullest sense of the world); his is from Chicago and - being a nation onto himself - is a native of his art education; his yearns for the Tijuana of tomorrow while being a full-fledged inhabitant of the Tijuana of half a century back; he admires high-tech while being a fan of Frida Kahlo. --Carlos Monsivais Marcos Raya Dog Years oil on canvas 17h x 17w in 43.18h x 43.18w cm MSR054 Marcos Raya brings together old and new works in a variety of media that mostly explores the sociological impact of technological change. His paintings, collages and installations present an idiosyncratic hybrid of Mexican folklore...

Oil paint on panel Unique Signed on the back

Raya, like every productive artist, is a collection of actions, utopias and talents. He is an acrylic painter and a muralist; an installation artist and a practitioner of the theory of the fragment as a synthesis of the whole; he is Chicano but his work has no passport; he is an obsessive self-portraitist (I, as the multiplicity locked within the I) and his an advocate of his community (in the fullest sense of the world); his is from Chicago and - being a nation onto himself - is a native of his art education; his yearns for the Tijuana of tomorrow while being a full-fledged inhabitant of the Tijuana of half a century back; he admires high-tech while being a fan of Frida Kahlo. --Carlos Monsivais...

Oil on canvas